A World Beyond

I have three topics to bring up in this post.

1. The Bridgewater BookFest is right around the corner, and I’ll be there! It’s held on Bridge Street in Bridgewater, PA 15009, on Saturday, September 14 between 10 a.m. and 4 p.m. I’ll have some table space in the writers’ tent. So if you’re in the area, please stop by! It should be a lot of fun to mingle with other book-lovers, meet area authors, and stock up on signed books. For more information and a complete schedule of events, please see the web site at http://www.bridgewaterbookfest.com.

2. A few friends and family members by now have asked me just what revising a book involves. When you tell people you’ve finished the first draft of your book, a very commonly-heard question is, “When will it be out?” People mean well by asking this. They’re expressing interest and support. But the question tends to make writers roll their eyes. First, there’s no guarantee that the book ever will be “out.” Being “out” — if you mean in stores — presupposes that stores will order the book. And that presupposes that some editor has loved the book enough to persuade the editorial and marketing departments of a publishing house to take a chance on it and invest their money. And that presupposes that the writer, his agent, and later, the aforementioned editor have been able to arrive at the form of the book that they’re satisfied is its best possible. And that can’t happen until the writer himself has gotten from that ecstatic finished first draft to a draft that he feels is truly ready to leave the nest. Depending on the writer, that can mean one more go-through or several more. “Books aren’t written,” many wise writers have said: “they’re rewritten.” Almost nothing comes out right the first time.

So the writer has almost no control over “when the book will be out.” All we can do is write from our hearts — finish what we start — write with all our loving care, being true to our characters and ourselves. We can control whether the book gets written (assuming, of course, that God gives us the time, health, and peace of mind). We can’t make editors choose the book from out of the mountains of submissions they receive. We can’t make the publisher’s financial people decide that the book will sell. We usually have little say in what goes onto the cover, front or back. We don’t determine the release date. We certainly don’t sit down with Barnes & Noble and convince them to stock our book or which stores around the country to place them in. A brand-new book, after it goes through the entire process of being conceived, written, re-written, and sold, may be “out” in the form of a single copy, or three, at your local large bookstore. It may be buried back in the fantasy section with only the spine showing, and it may be there for about a month before it vanishes, giving way to the next new releases.

Not being gloomy here — just telling the story the way it is.

Anyway, the question I set out to answer in my point 2 is: What does revision entail? One way I explain it is this: When you get to the end of the first draft, you are beginning to realize what your book is about, what your characters are really like; so the outset of your story probably no longer matches your ending. You have to go back and readjust the first chapters so that they fit the book you’ve written.

There are the excess words to be trimmed, the murky tangents, the scenes that don’t contribute to the whole. I do a lot of chopping in the second-draft stage. And I do some adding. Certain elements need focusing and highlighting early on, so that the way is paved for what happens later. Parts of the story may need to be clearer. Characters, in my case, need developing a little more.

Most of all, in my second draft, I usually need to fix the flow and pacing of the book.  The first time through, I’m intent on getting the story down, on developing the experience for the reader. Senses, information, logical progression, style, characters . . . There’s a lot to juggle. I’m writing a couple thousand words a day, leaving, coming back, stopping and starting . . . When I read the whole thing later, I find places where it bogs down, where a bunch of exposition has halted the story in its tracks.

It’s an enjoyable process. Revision is often the part of writing that’s the most fun for me. But it does take time and careful attention.

3. Julie put something into words in a striking and insightful way yesterday. I’d been trying to figure out what it is that makes me a fantasy writer — or more specifically, what aspect is common to my stories that identifies them as fantasy. I’m certainly not a “big kingdom saga” writer; I don’t write huge novels with a map at the front and warring lands and a quest to the end of the world. I don’t generally write about dragons and sorcerers. I don’t write romances in which one or both main characters is humanlike but not human. So in what way am I a “fantasy” writer?

With scarcely a thought, Julie nailed it squarely: My stories — pretty much all of them, the books and the shorter ones — are about a World Beyond. I write of hidden places . . . inside, down the tunnel, behind the hedge, across the sea, under the mountain, across the mountain, buried deep, secret, long ago . . . and these are all illuminated by the belief in a realm that we do not see, an invisible world, a dimension of spirit, a place unbound by time. I write about characters’ journeys to that world, or in that world. They learn and grow.

There’s the famous C. S. Lewis observation that we have yearnings for which there is no satisfaction in this life; and if we have yearnings built into us, there must logically be, somewhere, a fulfillment of them. If that fulfillment is not in the world we see, then it must be in a world we do not yet see.

A World Beyond: that is at the heart of all the fantasy stories I love most. I’ll continue to apply myself to getting my characters and my readers there.

Let the Bells Ring!

I write on a night of celebration! First, another milestone: this is our 200th post on this blog. I extend heartfelt thanks to all those who have marched with me on this journey — and onward we go, by grace!

Second, at a few minutes before 9:00 p.m. tonight, August 22, 2013, I finished the first draft of Signs and Shadows, which I began on April 22, 2010 in Niigata, Japan, when the book was called The House of the Worm. How well I remember that day! I took a small Moleskine notebook and sat in the McDonald’s at the Dekky shopping center, jotting down ideas for the book inspired by my visit to the Winchester Mystery House. (You can read my entry on that intriguing place in San Jose here.)

Working outdoors on the back porch, I wrote 3,231 words today, bringing the book’s raw word count to 159,192. I wrote the last stretch this evening with lightning flashing, thunder growling, and rain falling beyond the shelter of the roof — elementally appropriate! Today was the fifth-most productive day (considering only words written) in the history of this book. I am deeply grateful to God and to (and for) my wonderfully supportive wife — who cooked for us both today, who always celebrates progress with me, and who posted the fact of the draft’s completion on Facebook almost the moment I finished it! (And I’d like to thank my AlphaSmart Neo, too — what a faithful and fantastic machine!)

Some tweaking will be required, of course, to smooth the tangles and iron out the continuity errors. And I’m sure there are too many words. But editing, generally speaking, is fun. It’s a great day — glory to God!

In the odds and ends category . . . (You can decide whether this is an odd or an end.) Not long ago, Morwenna was telling me that in The Phantom Tollbooth, mention is made of edible punctuation marks. As is usually the case, I haven’t read the book (though I’ve heard great things about it many times), and I didn’t rush off to find a copy and start reading (though I would, in a perfect world). What I did was to start imagining what I’d do with that idea if I were writing about it. Here are some sentences I came up with. And my apologies to the author who first thought up the idea of edible punctuation, especially if I’ve inadvertently stolen any material. (Thanks, Morwenna, for starting the conversation!)

You have to imagine that characters are sitting around eating edible punctuation marks, which I suppose would have varying degrees of saltiness and spice. A period, for example, would taste about like a regular cracker; an exclamation point would be either red-hot or garlicky, depending on its proximity to the equator.

1. Jonathan, munching on a comma, paused slightly before continuing his narrative.

2. Having devoured three points of ellipsis with great relish, Catherine let her words trail off, and she appeared to be lost in thought.

3. Popping an ampersand into his mouth, Robert leaned close to his companions, enjoying the company.

4. Amelia crunched on the sugary colon and looked intently from face to face until she had everyone’s attention for what she was about to disclose.

5. Speaking through his mouthful of parentheses, Edwin delivered one of his oblique anecdotes that added nothing to the main thrust of his thesis.

That’s all for now. Did you see the full moon on Tuesday night? It was a blue moon — our second full moon this month. And it was visible coming and going: big and orange low in the east at dusk, still brightly shining in the west as dawn approached. (It’s a fair guess it was visible most of the while between those times, too.)

This is still summer! Let’s live accordingly!

 

Monster Country

On the way back from our honeymoon in the Smokies (a breathtakingly beautiful place), my wonderful wife graciously agreed to our taking the exit for Flatwoods, West Virginia. Just one mile out of our way, and we were there!

Flatwoods, West Virginia

Flatwoods, West Virginia

Since our route took us so close, how could we not stop there? Enthusiasts of Fortean literature will recognize Flatwoods as the site of a bizarre encounter with the unexplained on September 12, 1952.

Faded signboard at the edge of town still identifies Flatwoods as the place of a monster sighting.

Faded signboard at the edge of town still identifies Flatwoods as the place of a monster sighting.

I won’t attempt to recount the reports here. The curious can find ample fuel for the imagination by Googling “Flatwoods Monster.”

In Flatwoods, August 4, 2013

In Flatwoods, August 4, 2013

We drove through the tranquil little community from end to end. I was particularly delighted with the approach to the town: at one point, the road runs through a cutting in the limestone, with rocky embankments and a dark stand of trees shadowing the way — the perfect entrance to the site of high strangeness!

Julie's innovative shot

Julie’s innovative shot

My gracious and adventurous wife took the wheel for our visit to Flatwoods, allowing me to relish every view of the town and its woods, and to leap out and take photos at will.

Flatwoods, West Virginia

Flatwoods, West Virginia

Flatwoods: location of a handful of people’s encounter, in early fall 1952, with something in a tree; something that may have been from another world. And we were there, in late summer 2013!

Flatwoods, West Virginia

Flatwoods, West Virginia

 

 

 

 

Ukraine Travels Part III: Primary Ministry

On our first full day in Ukraine, our team leader, Greg, took us to visit an old friend. This was the day that we marveled at how we seemed to be living out the movie Everything’s Illuminated. There were the endless fields and meadows of Ukraine, the waving crops of sunflowers, the back roads that went on and on, the crews of shirtless men hard at work, and the “very rigid search” (to quote the movie) ending at the home of an elderly lady. But our “rigid search” was even more so than in the film, everything larger than life, deeper, and more wondrous.

Julie and me in the village of Bushcha, western Ukraine, June 2013

Julie and me in the village of Bushcha, western Ukraine, June 2013

Village of Buscha, western Ukraine

Village of Bushcha

First, some of the roads we traversed were so rough that they made even Pittsburgh look like civilization. “How does this van survive?” I asked Greg, shuddering to think of making the drive in my own little old Honda. “It’s built for it,” Greg answered. I believe we saw in person the grandest pothole in creation — one place in the dirt track where it seemed the most famous and accomplished potholes from every continent had sought each other out and founded a colony in mockery of man’s paving-over of nature. We eased past this place, treading softly, as the wheat whispered around us.

Cobbled road entering the village of Buderazh

Cobbled road entering the village of Buderazh

Many rural stretches of western Ukraine are crossed by cobblestone roads laid by the Poles. For modern vehicles, these are rough as cobs. So what people do, when the ground is dry, is drive beside them, which forms a bare dirt track. We were there at the height of summer, so we could follow these parallel smooth routes, making the going much easier. When there was no such dirt track, sometimes there was a footpath beside the cobbled road, and Greg would put two wheels of the van onto it, cutting the jarring by half. He would steer back onto the road, of course, when we needed to give way to a babushka grandmother, a motorcycle with a sidecar, a bicycle, or a horse. (Sometimes I had to look long and hard to see if the random horse had an owner; it wasn’t always obvious, the horse’s people strolling along a quarter-mile away.)

Me with a bottle of kvas in a cornfield

Me with a bottle of kvas in a cornfield

So we left the city and passed deep into the countryside, through wheat and sunflowers, to the very end of a Polish road. And there we came to the cottage of Katerina. Greg first met her years ago when he was out exploring. They became fast friends, and ever since, Greg has made a point of visiting her whenever he’s in the area.

Visiting with Katerina

Visiting with Katerina

Now, you must understand, there’s no way to call ahead when you visit Katerina. You can’t e-mail her. It’s the same as the shut-in visits I experienced among the Cree in northern Ontario. You just go across the wilderness to the house and wonder if the person you’re going to see is still among us on the Earth. We had some doubts as we parked at Katerina’s. The path seemed overgrown in the fullness of summer. There was a deep stillness over her orchard grove in the midday heat.

Katerina's garden

Behind Katerina’s house

But sure enough, as we pulled the van up beside her gate, the door of her summer kitchen swung open. Katerina, who is all but blind, came carefully up her path to see what the winds had blown in her direction. She was wizened and slight, her hair tied in a scarf. When she heard Greg’s cheerful greetings, she flung her arms around him — and around all of us, one by one, and planted kisses on our faces. It was remarkable to come so unannounced, and yet to be greeted so warmly. This, I thought, is village life, where human contact means a lot; where people, as a counterpoint to their hard physical work, truly value the words and the presence of others.

After the initial introductions, Greg asked Katerina to show us her garden. She waved a hand in self-deprecation, but was persuaded to lead us through a gate and into the verdant cavern of her yard. Trees formed a green ceiling above. Katerina lives in the humble summer kitchen behind the cottage; if I understood correctly, she doesn’t want to live in the cottage itself, where her sister passed away. A little dog yapped in defense of the property; Katerina spoke to it, and gradually it warmed to us, sidling toward our outstretched hands. She showed us her rows of vegetables and invited us to pick handfuls of strawberries. Beyond a haystack, the green fields tumbled away. We were met there by her nephew, a middle-aged man in an open-collared shirt and ball cap, who hung back behind the group and gladly spoke with Julie in Ukrainian, asking questions and telling us about himself.

Svyeta, Katerina, and Greg

Svyeta, Katerina, and Greg

We moved back out to the front, where Sasha, a member of our team, trimmed some branches away from the gate at Katerina’s request. She had a bench tucked among leaves and flowers. Katerina sat there, with Greg and Svyeta on either side, and the rest of us sat on the grass in a semicircle. We prayed together, Svyeta read some Scripture passages, and we sang praise songs. Julie had written out the words to a couple of these in English letters so that I could sing along. Katerina was perplexed that I could sing Ukrainian but not speak with her. All the while we read, spoke, prayed, and sang, her nephew leaned on the gate and listened, sometimes chiming in with a comment. Greg later told us of how every time he visits Katerina, someone else also comes along and gets involved — a neighbor, a passerby . . . Before the visit was over, we all got abundantly kissed again, and Katerina hurried off to her kitchen and returned with her apron full of pumpkin seeds. These she poured into our hands and a sack for us to take along.

For one week, we stayed in the village of Bushcha. Our host family was a woman, Olya, and her fourteen-year-old son, Vitya (a nickname for Victor). Olya’s husband, serving in the military, had drowned when Vitya was very small. Olya spoke freely with Julie, who helped her weed the extensive garden and chatted with her in the mornings and evenings. One evening, Olya told us more or less her life story. Julie was impressed by how, despite the difficult life and hardships Olya has had, her attitude is one of thankfulness to God; she emphasized how the Lord has taken care of her and Vitya.

Dave and me, washing dishes in Olya's kitchen

Dave and me, washing dishes in Olya’s kitchen; Olya had the exact same fly strips dangling over the table that my mom used!

How to describe village life? Olya’s house was simple but not tiny — about six or seven rooms that I was aware of. It had a bath/shower room with a washing machine, but no indoor toilet. There was an outhouse built to share a rear wall with the barn. Instead of a hole beneath the outhouse, a square opening in its floor served as a socket for a plastic bucket. When this became full (which it did quite rapidly with the onslaught of our team of nine), Vitya or Olya would empty it in a location we never learned.

We tried to avoid drinking tea or coffee before bed, so that we wouldn’t have to venture out in the night; but we almost always had to. There’s something about not having a toilet indoors that makes you acutely aware of your bladder, especially when you’re bunking directly on a wooden floor. To get to the outhouse, I would grope for the little flashlight that Sasha made available; trying not to disturb Sasha and Misha, I’d slide open the partition to Svyeta and Tanya’s room, tiptoe through a corner of it, and tug open the noisy, unwilling door into Greg and Dave’s colder, outer antechamber, where they slept on cots. I’d ease past them, push through a curtain, and pull open another door. Then I’d cross the vestibule, find a pair of outdoor slippers to put on, and enter the yard. A couple nights, it was raining hard. When I circled to the back of the house, the dog would snap to alarm and bark. The cow would moo at me. Inside the outhouse, spiders would skitter out of my way and huff at me for breaking strands of their webs. Mosquitoes would begin feasting on me. I confess that I would usually hold the flashlight in my mouth to free up my hands. It was an awkward business. But always, coming back from the outhouse, I would stand in the yard beside the cow pen and marvel. I would gaze into the rain, or up at the stars, and into the woods, and revel in the stillness and peace of the place.

There were chickens and downy yellow baby chicks, too, and a rooster that would crow at dawn and then whenever else he felt like it, as a bonus. There was a root cellar where Olya keeps things like potatoes and bottles of kvas, a drink I really liked made with bread, molasses, and sometimes things like grape leaves; it just begins to ferment, but not quite to the point at which it becomes alcohol.

Sasha, Dave, and me drinking kvas sold by a sidewalk vendor in Rivne

Sasha, Dave, and me drinking kvas sold by a sidewalk vendor in Rivne

The villages in western Ukraine are typically laid out in a long, straight line along a main road. People’s fields may be off in the distance somewhere, but the houses are generally close together, side-by-side. If you walk along the road from end to end, you will pass everyone’s front gate. Motor vehicles attract attention, and if you drive into town in a van, everyone will notice.

Load of hay in Bushcha

Load of hay in Bushcha

All up and down the road, horses pull wagons loaded with lumber, rocks, or hay. Some horses are hobbled to graze in grassy verges. Families of ducks cross the track — mothers and their ducklings. Goats munch on weeds and whatever else they can find. Tiny children with leafy switches herd obliging cows. The sun blazes down on soft, shimmering willows. Wooded slopes rise to one side, and a lazy creek wanders among trees beyond a meadow to the other. Spaces are immense. People drive cars down the cattle tracks to hold picnics beside the creeks, blankets spread out, radios playing pop music. People swim. Log bridges span the streams.

Yes, we drove the van down this road to the river.

Yes, we drove the van down this road to the river.

At the edge of every village, a tall cross stands, brightly decorated with streamers of cloth and other ornaments — perhaps these represent the village in some way. I saw objects such as hammers, tongs, and the outlines of anvils dangling from the crosses.

In Bushcha, our team held a Bible camp — like a vacation Bible school. An average of about fifteen children came on the five days of the camp, plus a few parents. A very significant aspect of this program was that it was planned and led by the Ukrainian team; we from the States were there to help and support. Misha made initial contacts and found us the venue and arranged housing; Svyeta presented lessons from the Bible; and Tanya planned and led the activities. These team members were joined by Julie with her guitar and song-leading, by Sasha with his youth-camp and Bible skit experience, and by Kayleigh with her expertise in ministry among children.

Bible camp, village of Bushcha

Bible camp, village of Bushcha

A girl at Bible camp

A girl at Bible camp

Crafts at Bible camp, Bushcha, June 2013

Crafts at Bible camp, Bushcha, June 2013

Greg, Misha, Dave, and I served primarily in the nearby village of Borshivka. There, Misha had established contact with a lady named Luba who needed some home repairs. The chimney of her cottage was essentially a stack of loose bricks; the roof was of rusted sheet metal through which the sun shone.

Luba's house in Borshivka; me and my wood pile

Luba’s house in Borshivka; me and my wood pile; Misha and Luba explaining the task

Luba's roof, insulated with rope woven through the rafters

Luba’s roof, insulated with rope woven through the rafters

On our first day there, Dave and Greg reinforced and mortared the chimney while Misha made the long trip back to the city for additional roofing supplies. I spent that day chopping wood to fit into Luba’s stove. Luba brought me two axes out of her shed and showed me the chopping block, a stout section of tree stump that I could roll down the hill to the new wood pile. Misha, Greg, and Dave each taught me a trick or two about woodcutting, and I was all set.

Splitting wood at Luba's

Splitting wood at Luba’s

Luba’s younger child is a boy, Svyatislav, who has just finished second grade. His third-grade cousin, a girl named Mari, lives nearby. These two were my audience/cheering section. They watched for hours — literally — sitting on the fence nearby (with breaks to chase each other through the yard), Mari clapping and shouting “Wow!” as I split each log and teaching me English phrases she’d learned. Svyatislav — or “Slav,” as Mari called him — was mostly the silent observer, very observant and thoughtful. He devised a way to help me by tying a cord around several large lengths of wood and dragging them over to me for chopping. He repeated this task again and again. When we guys were all working on the roof, he climbed up onto the top fence rail so he could be in a high place, too. He reminded me a lot of myself at his age.

Wood-chopping, with cheerleaders

Wood-chopping, with cheerleaders; Luba in the center

Once, two men in a horse-drawn wagon clattered to a stop in front of the house. The driver was dark-complected, with the often-seen Ukrainian combination of mustache and no beard. His companion was blond and clean-shaven. Both glared at me and scowled, which is simply how the culture works. People don’t grin and wave at strangers. But even knowing that, I was convinced these men were angry at us for being there. I respectfully stopped chopping and stood at awkward attention. (Many times on this trip I found myself on the verge of blurting out Japanese or trying to hear Japanese in the conversations. But Japanese language just doesn’t work in Ukraine . . .)

Only the driver spoke. He asked me questions and was confused by the fact that I couldn’t answer. Mari was off somewhere, but Slav explained to the men that not all of us could talk. The driver frowned at that. At about this point, Misha realized we had company and hollered down from the roof. The man hollered back. Neither sounded at all happy, but the exchange ended with Misha saying “Dobre,” which is “Good,” and the wagon rattled away.

Later I asked Greg what all that had been about. He said the men weren’t angry; they had come to ask how they could get in line for whatever service we were offering, because they also had a roof that needed fixing!

Mari and Svyatislav

Mari and Svyatislav

I remember in particular the bright colors of those days. The villages are an intense backdrop of green — soft crowns of trees that look like they’ve been painted with a fan brush . . . rolling hills of grass. Cottages come in every color. There’s the brown of horses and cows passing by, the yellow-green of hay piled high in wagons or stacked in fields. Chickens are splashes of white. Mari and Slav were fair-haired like little Norse children, but small and slight, and really active.

This was a time when I most felt the hand of God at work. Dave and I didn’t speak the children’s language, but it really didn’t matter. They watched us. and Mari never ran short on things to tell us or to teach Slav, pausing her cheerful chatter only to draw a breath. Once when Misha and Luba were talking nearby, we chuckled about how I had quickly picked up the art of log-splitting, and Luba said that you learn about life from chopping wood.

Dave caulking holes in the roof at Luba's house in Borshivka

Dave caulking holes in the roof at Luba’s house in Borshivka

That roof was quite an operation, too. Dave clambered up into the attic to caulk the holes. (There was one interior ladder for people and a second, smaller one for the chickens, which also, for reasons we never quite fathomed, needed to go up into the attic now and then.)

The ladder for the exclusive use of the chickens

The ladder for the exclusive use of the chickens

We all took turns on the outside, painting the surface with a sealant. As the week drew to its close, we were racing the calendar a bit, striving to finish what we’d started.

Me and Misha, painting the roof

Me and Misha, painting the roof

Lunch at the job site; Dave and me

Lunch at the job site; Dave and me

One challenge was the stinging nettles growing thickly against one side of the house. Dave and I got into these on the first day while setting the ladder in place. Another was the steep pitch of the roof, and the third was the ladders themselves. These were not aluminum extension ladders from a hardware store. These were wooden and rickety, one with rungs so delicate that we placed our feet with great care against the upright sides, fearing to put any weight toward the center of the rungs. But everything held. On each side of the cottage, we had one ladder leaning against the eaves and a second lying flat on the roof to support us once we were up there. (We didn’t dare to step or lean on any part of the roof itself.) These upper ladders had top ends made to hook over the peak of the roof. The extra wood required for this right angle made the ladders extremely difficult to manipulate from below. We did our best not to trample the vegetables in Luba’s garden. When we needed a longer ladder for the end of the house where the ground was lower, a neighbor lady, also named Luba, lent us hers. We hiked up the road to fetch it, and then Greg, Misha, the ladder’s owner, and I all worked with saws, hammers, nails, screws, and an electric drill to rebuild and reinforce it. A neighbor girl came over with her puppy. It was quite a merry gathering.

A precarious perch

A precarious perch

Building the new ladder; the second Luba at left; puppy; the mission van

Building the new ladder; the second Luba at left; puppy; the mission van

The scariest part of the whole adventure was a bare electrical wire that ran across half the roof near the lower end. To paint that part, we had to work and crawl directly under this wire. Dave knew enough about wiring to recognize it as something that would deliver a possibly fatal jolt if touched. So for that section, we kept one man on the ground at all times whose sole task was to watch the guy on the roof; if the painter got close to the wire, the one below would warn him. Even when you’re trying to remember the wire just above your back, it’s all too easy to get engrossed in the job and rise up without thinking. So I think Dave and I saved each other’s life at least once. We would call out distances — we felt like deck hands on the old riverboats paying out the knotted ropes and hollering “Mark twain!” In our case, it was: “You’re about two feet from it . . . foot-and-a-half . . . easy . . . keep your bottom down . . . okay, you’re out of the danger zone.” When the painting was all done and we were far away from Luba’s roof, Dave and I enjoyed standing on our tiptoes, stretching, and flailing our arms in the air, just because we could.

A very nice gesture came from some ladies at a church back in the States. They hand-made dresses for young girls and sent these along with Kayleigh. One day, Kayleigh came out to Borshivka and gave dresses to the girls there, explaining where the dresses came from, that they were made for the girls with love, and that God loved them, too — that they were each His unique creations, His children, and very special. The girls were completely delighted and ran indoors immediately to change into their new attire.

A girl and her mother receive a dress from Kayleigh.

A girl and her mother receive a dress from Kayleigh.

 

Ah, Ukraine! (I think this was in front of Katerina's.)

Ah, Ukraine! (I think this was in front of Katerina’s.)

One aspect of what we did was helping a family who needed some work done. Others of us conducted a camp. But even more importantly, our team came with kindness, diligence, sobriety, and patience into the communities; we came in the name of Christ. If our actions and attitudes served as reminders for anyone of God’s love for us all, it was worthwhile. If people like Mari and Slav, when they think of Jesus, church, or the Bible, will link those concepts to the gentle, positive people who visited them, maybe it will help them to see that faith is alive, that God’s love is real.

The Ukrainian team also brought along Christian movies that were shown in the village “club” — a community center — on two evenings.

There are still more things to write about, but I’m going to stop there for now. I have to tell you about castles, ghosts, a man of peace, a well, and an underground monastery. You won’t want to miss it. See you soon in Part 4!

 

Ukraine Travels Part II: The Shadow of the Past

It is one thing to learn about history from books, film, and the stories people tell. It is quite another to stand in the places where events happened. Ukraine is a land that has known the depth of human suffering and the horror of man’s cruelty to man. As in fields and pastures all across Europe, what is now a curious variation in the topography, a hollow and a pleasant, grassy mound, may well be the aftermath of an exploding shell. These are the roads over which tank-treads rolled. Villages that once thrived are now gone, their entire populations rounded up and slaughtered for their ethnicity.

P1050952

Our team operated out of a mission office in the city of Rivne, about five hours west of Kyiv. During the war, the Nazis made Rivne (Rovno) their base in occupied Ukraine. By the time Hitler’s forces had extended themselves this far, they were no longer taking the trouble of sending Jews back to the death camps; after picking out the able-bodied for labor, they were simply lining people up and shooting them. Thousands upon thousands were herded into the city from outlying villages. Before the war, over half the population of Rivne was Jewish. Some sources set this figure as high as seventy-five percent. The city was all but emptied out by the Nazis.

 

Our team leader, Greg, was a missionary in Rivne for about ten years, and he has done a remarkable job of uncovering historical details and sites. I say “remarkable,” because in most cases, these things are not advertised. A secondary tragedy of the Holocaust in Ukraine is how it is largely swept under the rug. The wounds, even after seven decades, are too fresh. There are too many controversies. I am afraid that we who grow up in America tend to view World War II as a very “pure” war, as wars go — Good vs. utter Evil. It was not at all so for many who were in the thick of it. Ukrainians are torn by revulsion, guilt, anger, regret . . . horror at the atrocities, skepticism at the blanket of accusations and counter-opinions and lies and propaganda that has descended on their aching homeland. Ukrainian folk heroes who fought against Russia for freedom were later said to have been Nazi collaborators. Some Ukrainians, to save their own families, handed the Jews among them over to the Nazis and were hated by their countrymen. Vast hordes of Ukrainians were persecuted, killed, worked to death, and starved; Stalin, many say, made Hitler look like an amateur at atrocity, for Stalin was destroying his own people — yet historical attention and refugee status has been given to the Jews, so there is resentment. It was a time of war; people struggled to survive. The land is covered again with grass and poppies, and people speak as little as possible about these things that happened when the grandmothers and grandfathers were newly born. But the bones of war, like the skeleton of an obscene behemoth, lie in a shallow grave just beneath the rich black soil, and the bones do not rest in peace.

 

On a sunny morning after coffee, Greg took Sasha, Dave, and me on a short walk across town to see the bunker of General Koch. It sits in the midst of the neighborhood, a low, wide, rectangular structure of concrete reinforced by steel bars, which are visible in corners and edges where the outer surface has crumbled away. Weeds and saplings grow across the roof. We commented on how it would now be undetectable from the air — a grassy lot, a scattering of pebbles. We could not reach its entrance, blocked by a chain-link fence on the bunker’s far side, inside which perimeter some modern construction equipment was parked. I was interested in a strange little wedge-shaped edifice of concrete with a barred door, standing perhaps twenty feet from the main bunker; I wondered if it might house a stairway, another point of access to the stronghold.

 

General Koch was Hitler’s iron fist in Ukraine. He was so accomplished at killing Untermenschen that he was put in charge of the genocide at Rivne. General Koch’s torture weapon of choice was a whip, and he kept a particularly vicious German shepherd dog who would, on command, maul a victim to the general’s great amusement.

 

What remains now of General Koch in the world is a decrepit concrete bunker in the heart of Rivne, unmarked by plaque or sign, a couple bulldozers and trucks parked beside it, with weeds growing on the roof.

 

From a bridge over the rail yard, Greg showed us the platforms on which the Jews were unloaded. The boxcars would have been wooden in those days, unlike the metal ones rumbling and clashing below us. A few walls and steeples rise nearby that predate the war. The Jews might have seen these as they stepped into the fresh air, as they blinked into the gray light of Rivne.

 

Herded into lines, obeying the orders barked at them, the captives were marched a short half-block to White Street. We climbed down from the overhead bridge and walked in their footsteps. I was struck by how green and pleasant the path was in late June. It might have been any alley among gardens and hedges . . . a short half-block up from the rail yard, up to White Street.

 

On White Street, the Jews and Gypsies were put into lines, and they were shot. Powdered lime was then dumped onto their bodies. Lime covered the faces, the hands, the hair, the cobbles of the street, and it is from this white shroud that White Street got its name. Here, an inscribed plaque and a monument of statues bear witness to the 82,000 killed on this street alone.

 

Greg had discovered a Jewish cemetery and memorial hidden away in another part of the city — again, not widely publicized or well-marked — but when one follows a certain uphill lane to its end, there is a deeply moving testament to the victims of the Holocaust. That’s how Greg found it, when he was simply out exploring one day.

Path to the Jewish memorial

On this site, 18,000 Jews were killed in two days of systematic annihilation. They were ordered to strip naked, leave their clothes in a pile, and walk down a hillside to line up along two ditches. Across the way, machine guns waited on tripods. The people knew what was about to happen to them. How did they make that walk down the hillside? How does one, in such a situation, put one foot in front of the other? Did some, in the face of certain death, make a mad break for freedom? Did the people comply in the desperate hope that their obedience would invite less wrath on others still alive? It is impossible to say. We only know that thousands upon thousands walked as lambs.

There was perhaps a moment as the gunners took positions, as the victims overcome with terror and anguish were forced back to their feet, forced back into line. The stillness would have been filled with weeping, with prayers, with pleas, with groanings beyond words. Then the guns opened up, and the bodies tumbled neatly into the ditches atop other bodies, atop other bodies. This slaughter was conducted after the hardy slave laborers were sorted out, so the ones killed here were mainly women, children, and the elderly. Greg described a photo in the Rivne Museum that shows some women taking these final steps. One is so distraught that her legs won’t carry her, and another woman is supporting her.

Road to entranceThe entrance gate

Now, the hillside is covered with tangled forest. A few strips of cracked, sinking concrete may or may not mark the actual locations of the original ditches. There has been trouble with looters who have come to dig in hopes of extracting gold teeth from the dead.

The menorah

To the right of the ditches, the cemetery is well-tended and was designed with respect and powerful art. It is laid out in a circle of paths lined by stones bearing the names in Hebrew letters of all the dead — eighteen thousand names. Many of these are eroded and badly faded; but some here and there glow with new white paint traced over them in loving preservation — the work of family members who have come to find their lost ones.

Memorial stonesNames of the dead in Hebrew We visited the site just at twilight, when the world was hushed. Birds slowly stopped their songs in the canopy. The cemetery is bordered on two sides by thick forest, a peaceful resting place. The stones bear silent testimony. The most heart-wrenching visual reminder is a very simple work of art done in beds of smooth concrete incorporated with the stairway that climbs down into the cemetery from the entrance gate. Here, the prints of bare feet were pressed into the wet cement — prints of various sizes, some tiny, some full-grown, all descending. All descending the hillside. None returning.

Descending

For further reading on this topic, I commend to you the book The Moses of Rovno, by Douglas K. Huneke (Dodd, Mead & Co., Inc.: New York, 1985).

Stay with me. Part III will be lighter!

Sunset at memorial

 

Ukraine Travels Part I: The Land

We have just returned from a two-week mission trip to Ukraine, and it was an amazing privilege. Setting out now to convey something of what we experienced, I realize there is no way to tell the tale all at once. This, then, will be the first of several reports, wherein the things we saw and did will be organized more by topic than by chronology. I will attempt to present something of a verbal photo album of stories and images that, I hope, will gradually give you a picture of what our time there was like.

"The Tunnel of Love" -- Ukraine, June 2013

“The Tunnel of Love” — Ukraine, June 2013

The name of Ukraine is based on a word that means “the edge” or “the border,” and it seems to me that this ancient land lives up to the name. Ukraine is the realm “Out There,” the wide, mysterious zone where political boundaries have changed, invaders have come and gone, and the human presence itself seems a small part of the vast, timeless province of trees and fields, of rivers and winds and the enormous sky.

Our team arrived at midsummer, when the sun rises between 5 and 6 a.m. and does not set until nearly 10 p.m. — a time of glorious light and heat and singing insects. In the villages, tiny frogs no bigger than a fingernail hopped across the dooryards. In the meadows, cows and horses grazed. In the city of Rivne, stray dogs and cats wandered the streets and lounged in the shade.

P1050743

And not only stray cats . . .

Earlier in the month, when Julie visited Illinois, she said more than once that it reminded her of Ukraine, except that in Ukraine, the grain elevators would be Orthodox churches. When I saw Ukraine, I certainly noted the similarities to my home state: lots of farmland; mostly flat country to the horizon; natural beauty; and black, fertile soil. (In fact, during Hitler’s time, the Fuhrer had slave laborers filling boxcars with rich Ukrainian earth to haul back to Germany.) But there were differences, too. In Ukraine, everything seems to extend farther. The roads are longer; the fields are wider, the forests deeper. It’s farther to the next ridge or the next town. Ukraine is a giant country with lots and lots of land. The predominant oak and maple of central Illinois are, in Ukraine, birch, willow, and linden.

P1050771

Field near Bushcha

My facetiously-expressed first impression of Ukraine was that it reminded me of Japan: a Japan from which the Japanese had been evacuated, the country left to stand empty and unattended for about twenty years, then filled with Ukrainians and handed over to them to inhabit. By that I meant that there were obvious similarities in the communal living and many of the physical structures, the appearances of the gardens, the winding streets laid out in pre-automobile eras . . . but that, in general, flora in Ukraine seemed to be given a freer rein to grow unchecked; on the whole, buildings and roads seemed more dilapidated. The regimented order of Japan was, here, objects stacked at random and allowed to return to nature. It is perhaps telling that the first sentence I learned in Ukrainian involved the word “pile,” and the man who taught it to me advised that “pile” or “heap” is a useful and often-heard word in Ukraine. Examples: in the cities, the balconies of apartments often seem to function as sheds, bearing mounds of lumber and castoff furniture. In the villages, there are wood piles for the stoves, but there are also mounds of crumbly rock in many of the yards. These testify to building projects that have been abandoned, but which might again one day be taken up.

Looking down between apartment buildings

Cities abound with playground equipment and park buildings, benches, statues, etc., that were shiny and new about 1980; but since the dissolution of the Soviet Union, these have all fallen into disrepair. Weeds grow through cracks in the pavement; edges have crumbled, pieces are missing, and rust scars the surfaces. Most public parks are not mowed or groomed. Capitalism has brought rampant unemployment and urban decay.

Village of Bushcha, western Ukraine

Village of Bushcha, western Ukraine

I was impressed by dramatic differences in the landscape of western Ukraine. After gliding along through panoramic vistas of meadows ablaze with wild flowers and cemeteries recently decorated for Easter, roads plunge into dark forests where gnomes might lurk in the shadows. In places, the trees form tunnels, leaning over the passage from the atop embankments. Valleys wander along for miles, dotted with villages. The breeze rustles through endless fields of sunflowers, though these were not yet in bloom during our visit.

The five-hour trip along the highway from Kyiv (Kiev) to Rivne was an enlightening introduction to the country. Many of the cars are Russian-made; I saw some French and Japanese autos, but few of the familiar U.S. models. Highway exits to the left involved a turn across traffic (through a gap in the center median) into a widened turnaround area; the driver then would backtrack in the opposite direction until s/he could turn right. This system eliminates the need for extensive ramps and cloverleafs.

Here or there, a horse would be standing on the shoulder of the road. We saw the remains of collective farms from the Soviet era — large abandoned buildings and weed-grown berths for loading trucks. (The laws in Ukraine make it impossible for local people to own large farms; each Ukrainian is allotted a couple acres, too small a tract to allow for much income or investment in machinery. So the farming we saw was done almost entirely by horse-drawn equipment, quite often operated by children. It is a common sight to see a twelve-year-old boy driving a hay-rake or a seven-year-old girl escorting the cows back from the pasture.)

P1050856

Typical village farm equipment

For many miles along this main route, people had set up stands for selling honey and other home-grown products, and especially bundles of leaves (birch or oak) with a special use: in the banya (Russian saunas), bathers flog themselves or others with these bundles for cleaning and to improve circulation.

We frequently observed a goat tethered in a backyard or on a verge beside a roadway, eating its fill of the plants. Another typical sight was a group of shirtless men working in a field, sometimes in company with a woman or two, all wearing only just enough clothing to be modest.

In nearly all instances, signs are written in Cyrillic. (Ukraine has its own language, but in many parts of the country, Russian is more commonly spoken).

When the road leaves a particular area, the place’s name is shown on a signboard with a red slash through the name.

A writer friend of ours in Pittsburgh sometimes talks and writes of the “absolute summer” we half-experience as children, or dream of at least: that time of freedom and natural abundance when the light is at its warmest and strongest, when the trees are in fuller leaf, when the flowers are more resplendent and the grass is greener than it ever actually gets in the adult world. Again and again on this trip, I had the sense that Ukraine is closer to this absolute summer than any other place I’d seen.

In Japan, nature felt pinched and confined, the roots cramped. When I would return to Illinois, I could always feel my soul expand into the wide air, into the soil and the woods. In Ukraine, the wildness is many degrees beyond even that of the Midwest. If ever a land adjoins Faery, I suspect that it is Ukraine, the Edge.

P1050746

Going deep . . .

In wrapping up Part I of this chronicle, I will leave you with a story from our second day (our first full day in the country). Our team leader, Greg, drove us to a famous stretch of train tracks near Rivne called “The Tunnel of Love.” Here, an old length of railroad shoots away into the deep woods, and the forest has grown around the passage in curved walls and a ceiling of greenery — a living tunnel. This was a pretty amusing actual conversation:
Greg: This is an amazing place. The way the woods grow, there’s no room for anything but the train. Come on, we can walk along the tracks.
Julie: Are these tracks still in use?
Greg: Yeah, they still run a train on them every day.
Julie: At about this time of day?
Greg: Oh, I don’t know.
[We hike along the tracks where there’s not an inch of space for anything but a train to pass. The circle of daylight at the crossing behind us gets farther and farther away. We take some pictures and are being devoured by mosquitoes. Heading back, we hear a train whistle and the rumble of a locomotive. We pick up our pace considerably. The train turns out to be on a different track in the distance, but it’s been a hair-raising few minutes!] Fascinating and beautiful place! Other tourists think so, too; other carloads of people were also strolling along the tracks at the same time we were.

For an excellent look at the landscape, history, and spirit of Ukraine, I recommend the movie Everything Is Illuminated. (I’m sure the book is of great value, too, though I haven’t read it; the movie is based on the book.)
Stay tuned for Part II!

Away From the Desk

Here’s wishing everyone a Happy Midsummer’s Eve, whenever you choose to celebrate it: June 20, 21, or the Christian one on June 24 (the eve of the birth of St. John the Baptist). This is also to let you know that I’ll be away from my desk — way, way away from my desk — from June 18-July 2. Julie and I are traveling as part of a mission team to Ukraine. We’ll be working in a small village on some home repairs as well as helping with a children’s Bible camp — and encouraging a local volunteer mission team of Ukrainian Christians. And celebrating Midsummer’s Eve, of course, in another part of the world!

It’s been a whirlwind summer so far, and the wind is going to keep whirling for awhile. But it’s a very blessed time. I am all moved out of my old apartment now, living among stacks of boxes in the new place. The wedding is coming soon!

Anyway, if anyone is looking for me during the next two weeks, I wanted to explain where I am and why I’m not on-line.

Enjoy this fine season! Talk to you all soon!

 

Two Nice Quotes

“I love above all the sight of vegetation resting upon old ruins; this embrace of nature, coming swiftly to bury the work of man the moment his hand is no longer there to defend it, fills me with deep and ample joy.”

                                                                    — Gustave Flaubert

Doesn’t that remind you of a near-constant theme on this blog? See especially the old posts “The Essence of Pittsburgh” and “June.”

Also, I received a wonderful letter out of the blue that made my day. With names removed, it said:

“Hello!

I’m writing to thank you. Your book Dragonfly and Stephen King’s Langoliers are what got me into creative writing ten years ago. I am thrilled to inform you that I have been accepted to the Graduate Program in Creative Writing at [Name] University!

Thank you for helping me to get to where I am.

[Signature]”

We cannot imagine what impact our work is having, sometimes in far-off places, and on people we’ve never met. All glory to God! Once in a great while, we hear about instances, and those are precious gifts.

Writing is going well! I guess Stephen King and I better keep at it! Between us, we’ve got a few fans out there. Heh, heh.

 

Schools, Parks, and May in the Uncanny City

You’ll appreciate this: today at work, I got hit by a flying lazy Susan. Yes, a wooden disc came bounding toward me, and I didn’t really see it until it had bounced off me onto the floor. Fortunately, lazy Susans have no corners or sharp edges — I wasn’t hurt a bit. I rescued it, and I even stood on it for awhile. My backup man “T” hadn’t seen the incident, and he was quite startled by my sudden ability to rotate in place without moving my feet (he couldn’t see my feet from where he was standing) — I think he was considering calling an exorcist. At the end of the shift, I left it leaning against the cardboard shaft, on the floor. Maybe someone on the second or third shift will fancy it and take it home.

Frick Park, May 4, 2013

Frick Park, May 4, 2013

Okay — there’s what it looks like when I write with the Neo in Frick Park! That’s me actually working on the book!

My "office" in Frick Park, Pittsburgh

My “office” in Frick Park, Pittsburgh

(That’s an abandoned dog leash on the ground, not a snake.)

Frick Park

Frick Park

I’m getting ever closer to the end of the draft: the book is now at 129,430 words. The latest sentence I wrote was “I blinked.”

Writing place in Frick Park

Writing place in Frick Park

That’s Julie’s purse, not mine . . .

May 4, 2013

May 4, 2013

Grrooiinnkkk! [The sound of changing the subject with a monkey wrench]

Some exciting news is that a couple weeks ago, I was in Wisconsin for the baptism of my new goddaughter! I’ll withhold her full name to protect her family’s privacy, but her first name is Elizabeth. It was an honor and a great blessing to be there, and a very special privilege to have this responsibility! It was wonderful to spend time with a college friend and his family. Here’s a picture of me there, at the softball game of my friend’s oldest daughter:

 

Me, looking like a movie director

Me, looking like a movie director

When I told my boss I was heading for Wisconsin, he insisted that I had to try something called “cheese curds.” I was agreeable; I’m always most ready to eat cheese. I wondered how “curds” were different from straightforward “cheese” that we all know about. Was it a folkloric thing, I wondered, like curds & whey? Would it be like eating cottage cheese with my fingers? The mystery only deepened when I got to Wisconsin and my friend (“Preacher” on this blog) advised me that cheese curds would be squeaky . . . they’d squeak against my teeth. “How can cheese be squeaky?” I asked him. He told me I’d understand soon.

So on the way to that double-header softball game, we stopped at a cheese dairy and acquired a big bag of curds. They really do squeak! Now I understand indeed. And they are amazing! Throughout the weekend, I kept suggesting that we get them out of the refrigerator and eat more of them. My hosts would ask me at various times if I was hungry, and I’d say, “Well, maybe we could get out the cheese curds?” I would have brought some back with me, but the ones for sale in the airport were labeled “Keep Refrigerated,” so alas, they must remain a good object of pilgrimages to fabled Wisconsin.

Okay, here’s a picture of me and little Elizabeth:

 

Central Wisconsin, April 2013

Central Wisconsin, April 2013

And here’s something for which I’m also tremendously grateful! My friend (Elizabeth’s father) arranged for me to do some writing workshops at schools while I was there!

Second-grade poetry writing workshop

Second-grade poetry writing workshop

For one thing, I got to work with second-graders on writing poetry. This workshop was a whole lot of fun. Poetry is perhaps the easiest form of creative writing to teach, especially to younger children. We have to learn vocabulary and mechanics as we get older, but kids are natural born poets. From the time we leave the womb, we enjoy rhythms, repetitions, and playing with sounds. We use our senses; we soak the world in. In this seminar, we made a list of spring colors and of things we see, hear, smell, and feel in the springtime. We talked about rhyme schemes and beats in a line. Then we worked as a class to write a spring poem (which was quite good! — I wish I’d saved a copy!). Finally, each student followed some instructions to compose a poem of his/her own. And wow! — there are some amazing young writers in that class!

Fourth- and fifth-grade creative writing workshops

Fourth- and fifth-grade creative writing workshops

In the fourth and fifth grades, students identified and focused on some principles of good writing. Then they set about improving a story that needed some help. Again, I was impressed with how well they did! I could tell they have dedicated teachers at their school.

The artwork of Emily Fiegenschuh for "The Star Shard" in CRICKET Magazine

The artwork of Emily Fiegenschuh for “The Star Shard” in CRICKET Magazine

I showcased the illustrations Emily Fiegenschuh did for “The Star Shard” in Cricket, and we talked about the collaborative process between a writer and illustrator. I hope the workshop encouraged the artists in the group as well as the writers.

High-school novel-writing workshop

High-school novel-writing workshop

I also had the great fun of speaking to a high-school class about the process of novel-writing. I drove the points home that, if you want to change the world even a little for the better, one of the best things you can do is to write clearly and well; and that if you have the dream to leave books and stories behind you in this world, it’s an attainable goal. There’s nothing superhuman about published writers. They’re simply people who don’t give up — who keep writing. They’re people who finish things. They’re people who love the excitement of making something real and vivid and lasting on pages that started out blank.

Yes, it was a good time in Wisconsin. I’m thankful to have been there when the wheel went ’round.