Trees

I’ve been thinking about trees. That’s probably because they figure largely into the story I’m working on now. The more I reflect, the more I become convinced that trees may well be our single most significant (natural) connection to the numinous. I say “natural,” because our other connection is books–or, more accurately, stories–which is a link we humans have made. But trees are there all around us, shading us and whispering to us, breathing out oxygen to make our air sweeter, and beautifying our landscape . . . and perhaps their gifts to us only begin there. Walk with me, if you will, as I expound my theory.

I’m going to quote from Hope Mirrlees in Lud-in-the-Mist. She’s talking about a “pleached alley” here, which is a path between two rows of trees, with the trees all intertwined and roofing the road over, so that you have a shady tunnel. Here’s the quote:

“There was also a pleached alley of hornbeams.

“To the imaginative, it is always something of an adventure to walk down a pleached alley. You enter boldly enough, but soon you find yourself wishing you had stayed outside — it is not air that you are breathing, but silence, the almost palpable silence of trees. And is the only exit that small round hole in the distance? Why, you will never be able to squeeze through that! You must turn back . . . too late! The spacious portal by which you entered has in its turn shrunk to a small round hole.”

To pass into the trees is to enter the realm of magic, mystery, and things beyond us. Is it any wonder that trees are so prominently placed in the cosmologies of so many peoples throughout history? Norse mythology tells of Yggdrasil, the World Tree, which supports and is itself the pathway among all the realms of gods, giants, monsters, and men. The Ragnarok, the end of the Universe, happens when Yggdrasil is eaten through by its enemies and comes crashing down.

Judaism and Christianity look back to Eden: the one time when the world was perfect was when the first man and woman lived in a Garden, and at the Garden’s very center were two trees. Trees sustained the lives of Adam and Eve by providing fruit for their food.

For a cultural anthropology class in college, we read a book about the Grand Valley Dani of New Guinea. A belief of the Dani people that I’ve never forgotten is that the human race was made from trees that were brought to life — trees given animation, eyes, and hands.

It’s often said by Christian scholars that all peoples throughout history have arrived at parts of the Truth; if you live in this world and look around and think, it’s nearly impossible to avoid figuring out some of it, even without divine revelation. And one thing that almost everyone “gets” is that trees are extremely sacred.

Then I began to think about trees and fantasy fiction . . . particularly, how trees relate to the writings of J.R.R. Tolkien. There’s so much to be explored there that I wondered this evening if any scholarly research has been done on the subject. Seriously — someone should write a thesis or dissertation on Tolkien’s Trees. [Nicholas? Has it been done?]

In one real sense, I believe it was trees that drew me first to read Tolkien’s books. I remember illustrations in fairy tale books from when I was very young — enchanting pictures of the deep, dark forests in which various protagonists were either lost or out cutting wood. And when I saw the Ballantine editions of The Hobbit and The Lord of the Rings — those marvelous paperbacks whose covers bore illustrations by Tolkien himself — I knew I had to read them. It was the very same stuff from those childhood pictures that had captured my imagination. The Hobbit‘s cover was Bilbo riding his barrel down the River Running, gliding beneath those gorgeous, fantastic trees. The Two Towers had that picture which is probably my favorite of all Tolkien’s artwork, because it’s all trees, nothing but trees! Yes, it has two tiny figures down in the corner . . . figures who are, depending on which of Tolkien’s notes you believe, either Merry and Pippin in Fangorn Forest or Beleg and Gwindor in Taur-na-Fuin. (Tolkien adamantly resisted drawing clear or up-close pictures of his characters, because he wanted to leave them to the reader’s imagination: but he had no compunction about drawing his trees in every loving detail!)

So, then: Tolkien’s books, I say, are a journey from tree to tree to tree! That’s what drew me in, because I already knew as a child that trees were the real things: trees were the door-posts of Faerie. My favorite part in The Hobbit is the journey through Mirkwood. There are times even now when I think about Mirkwood and can still get that shivery, watery sense of delight in my lower chest that we feel all the time as kids but so rarely do in later years. You know the feeling I mean, right? Mirkwood and Fangorn and the Old Forest can still do that for me.

The Lord of the Rings — what is more beautiful and tree-filled than the descriptions of Lothlorien? But let’s go deeper still: the story begins and ends with a tree. Right? Bilbo’s eleventy-first birthday party takes place beneath the Party Tree, the symbol of all that is good and wholesome and stolid and warm and homey and peaceful and comfortable about the Shire. And at the end of the book, the terrible cutting down of that Party Tree is the last straw: that’s the signal that the world is irrevocably changed, that the wounds sustained in this vale of tears will not be healed on this side. It’s the sight of that tree cut down that brings Sam to tears.

The Silmarillion, with its Two Trees of Valinor: like Eden, that was the one time when the world was perfect and right, when those Two Trees gave their mingled light. It’s their light, mind you — the light of trees — that’s in the silmarils.

Back to LOTR: Gondor has its White Tree. When it withers, the realm is in deepest trouble.

What shows us that Mordor is the land of evil? What’s the one thing that Mordor has none of? Yup. No trees.

What does Saruman do when he goes bad? He takes down the trees. Then the trees take him down, when Birnham Wood comes to Dunsinane, or . . . something like that.

And that brings us to the Ents. The Ents are “Earth-born, old as mountains,” second in antiquity only to the Elves. Treebeard refers to “young Master Gandalf” and “young Saruman down at Isengard.” [I love how Celeborn addresses Fangorn as “Eldest.” Man, that gives me goosebumps!] Ents are the shepherds of trees — tree-herders. Think of the implications of that. The function of these ancient sentient creatures in Tolkien’s world is to look out for the trees. It’s as if Tolkien meant the Ents to be representatives of the Earth itself.

My favorite Dr. Seuss book is The Lorax (and not just because of the Onceler). It’s for all sorts of reasons that tug at the dreamer’s heart: the fact that there’s a crumbling platform out at the end of town, overgrown by grass, which is all that remains to show where the Lorax stood, and from where he was “taken away” (by lifting himself into the sky by the seat of his pants) . . . but most of all, the fact that the Lorax “speak[s] for the trees.”

So, then, here are some of my tree memories:

I grew up on Old Oak Road, right, named for its abundance of ancient oak trees? I think I’ve told this story on this blog before, but near as we can figure from a perusal of very old maps, Abraham Lincoln himself may well have passed within sight of where my house now stands, as he rode along on his 8th Judicial Circuit route from Allenton (now vanished) to the up-and-coming little hamlet of Taylorville. And if he did, then it’s likely he looked right at the two trees that shaded my front yard when I was a kid. They would have been younger in Lincoln’s day, but they would have been there: oaks live a long time and grow slowly. Perhaps the lanky young lawyer even rested beneath one and drank from his bottle of Gatorade.

What impressed me about those oaks as a kid was how they harbored a whole other world up in their crowns, 20, 30, 40 feet above the ground — a world of limbs and leaves that I could glimpse from afar, but could never reach. (Isn’t it that precise longing for the misty realm on the horizon that has always fueled our romances? Avalon . . . Lyonesse . . . Mu . . . Lemuria . . . Shangri-La . . . Atlantis. . . .) The world was always there, always visible at the top of my tire swing’s chain. I climbed up that chain more than once — all the way up, scraping my bare feet, painting them orange with rust — I climbed up and clung for a moment to the earth-most giant limb of that world of squirrels and birds. But even I had the sense to go no farther, for it would likely have been the death of me.

There was a hole at the base of that oak tree, one of those little caves that often form in old trees. I imagined wee folk who lived inside the trunk in many-storied mansions. I used to go out with a lantern and look for them on Midsummer’s Eve. (You think I’m kidding, but I’m not.)

There was a willow tree in our north yard that my nextdoor neighbor and I used to climb. It had a friendly array of branches that were like a basket for holding little kids who wanted to play above the yard. That tree was like a Phoenix: its trunk snapped completely off at ground level during an ice storm, and my parents thought that was the end of it. But the whole tree grew again from the stump.

I had a reading grove in the northwest corner of the front yard. I’d sit in a lawn chair and put my feet in the fork of a young oak tree that is not so young now. I remember writing a lot of The Threshold of Twilight there and reading a lot of Stephen R. Donaldson. My good dog Hooper is also buried in that grove.

I remember gazing always at that great wall of oaks to the south of our property (see the aerial photo in the previous posting). It was a mighty, rolling green cliff, full of twilight caverns signifying mystery. That, to me as a boy, was the rampart of Mirkwood.

To the south of our place along the road there was a gigantic oak that I always called the Silhouette Tree. Apparently “silhouette” was a word I learned early on and especially loved, and I’d point to that tree at sunset and use the word. (That tree has just been cut down in the past year–I noticed it gone the last time I was there.)

In the middle of the field between my neighbor’s house and mine was another old, gigantic tree. We used to play there, building secret little clubhouses around its base. It was especially nice when the field was in corn, and we had to pass through the whispering stalks to get there, its towering height guiding us as a landmark as we navigated toward it, and the field shutting out all the world. My dad always cautioned us to be careful, that a lone tree in a field could indicate the site of a long-vanished homestead, and thus that there might be an abandoned well somewhere in its shadow, perhaps covered by a now-rotted layer of boards. (My dad was among the greatest worriers in human history.) That always added to the charm for us, that at any moment the ground might collapse beneath our feet. We used to prod and search and hope for that long-lost well, but with no success.

Mom had a grape arbor, and the vines quested out and climbed a maple tree at the back corner of the tin shed. In the arbor’s heyday, the tree itself was full of grapes. It was a grape tree. My nextdoor neighbor and I used to sit up there, high above the world, and eat them.

And here’s a story for you: at my grandma’s house in town, there was a birch tree. During a storm, the trunk shattered, and the tree was left leaning over the street and sidewalk. The trunk was completely severed, so it had to be cut down. Grandma enlisted me and all the neighborhood kids to do the job. That will forever remain as a “photograph of the heart”: there we all were, a scruffy, barefoot kid on just about every limb, each equipped with a saw, a hatchet, or a pair of clippers. Many of us were vigorously sawing through the limbs between ourselves and the bole. Every so often a kid would plummet earthward with a shriek. And down on the ground, there was the biggest boy in the neighorhood, methodically sawing through the trunk with the biggest saw. We all lived, and none of us were hurt.

So, dear readers — tell us your tree stories! Did you have a treehouse? Did you climb trees, maybe with a book in your pocket? Did you have a secret clubhouse sheltered by tree branches? If so, take us all there, so that those worlds may live again!

Books, Part 2: Fred’s Lists

It occurred to me this evening that I have now been a professional writer for ten years: a decade of selling fiction. So miracles do happen. For years and years, I seriously doubted I’d ever be published at all. But if you stay the course, things happen when they’re supposed to. If you’re a writer aspiring to make your first sale, don’t give up.

(How was that for a really short sermon?)

Anyway, more about books! For anyone who has not yet been there, I strongly encourage you to back up to the previous post and especially to read the reader comments beneath it. The readers of this blog have been answering the call to recommend favorite books. You’ll find wonderful titles there to keep you busy for a good long while. And everyone: you can keep right on recommending books in response to this post — or at any time. On this blog, good books are always on the subject!

The Book Center, May 1970. In the early 1980s, many a D&D meeting was held in this store's basement -- a D&D group that was also part book club. . . .

The Book Center, May 1970. In the early 1980s, many a D&D meeting was held in this store's basement -- a D&D group that was also part book club. . . .

[Aside: the phrasing of that last sentence is an echo from our years of playing Dungeons & Dragons back in junior high, high school, and college. To keep the game focused, we set up something called the Pun Fund. It was a can with a slot in the top. When it started out, as the name implies, if you made a pun, you had to pay a fine by dropping a coin into the slot. Quite soon, though, we expanded to a whole system of fines for anything that held up the game. If your character went on an “Ego Trip” (meaning he talked too much about himself or otherwise behaved like the center of the universe), that cost you a nickel. If you used “Logic,” you had to pay up. (A “Logic” violation meant that you stopped the game cold by arguing that a particular pit trap, for example, violated the laws of physics.) The catch-all offense was “Off the Subject.” That one’s self-explanatory. But in the interest of decency, we soon established the rule that certain things were always on the subject and could not be fined — most notably, food. Any mention of when we’d be taking a food break or what we’d be eating was always, always to the point and welcome. (And for reasons I never understood and never agreed to, Bugs Bunny was always on the subject. You could be in the middle of the most harrowing adventure ever, with the city about to go up in flames, and if you said something in a Bugs Bunny voice, you could not be fined! Go figure. . . .)]

My, do I digress! One more topic before I get to The Lists. . . .

My house from the air, July 1970: My house is just to the right of the road in the center of the picture, surrounded by the little ring of trees. Note that our pond wasn't dug yet, and the farm across the road was still standing. (Don't die of nostalgia, anyone!)

My house from the air, July 1970: My house is just to the right of the road in the center of the picture, surrounded by the little ring of trees. Note that our pond wasn't dug yet, and the farm across the road was still standing. (Don't die of nostalgia, anyone!)

I was happily surprised to discover some on-line reviews of Dragonfly I’d never seen on a site called “goodreads.” What made me even happier was that some of the reviews were quite recent! The book was first published in 1999 — a decade ago — and the mass-market Ace edition is out of print. (It’s still easy to acquire for pennies on Amazon. Yes, you can buy this book for about the price of a Pun or an Ego Trip!) But now and then, people are still finding it, and even better, they’re still liking it! Here are a few lines from some of my favorites, and notice the dates!

In April 2008, “Woodge” wrote: “I found this while browsing in a bookstore and I must admit that the arresting cover caught my eye. Upon a closer look, the cover would seem to appeal to a Young Adult audience but an even closer inspection revealed that to be misleading. (There’s a moral here somewhere.) . . . Well, it was as advertised. This imaginative, original story gets cracking from the very first pages. The imagery is lush and painted with a rich vocabulary. There’s nothing cutesy about the story . . . and it manages to include all sorts of beasties. Vampires, werewolves, gypsies, and other various ghouls all make an appearance in this unpredictable tale. And when the action is really moving it brings to mind thrills you might find in a summer blockbuster. Good times.”

In October 2007, “The other John” wrote: “(Had to re-read this one and get my fix of Midwest October…) Dragonfly is a great read. The premise is nothing new — a child has adventures in a mystical realm. But unlike Dorothy, Meg Murry or the Pevensie children, Bridget Anne (also known by the nickname Dragonfly) heads down to a dark realm — the essence of Hallowe’en. Not quite hell, but much closer than any other ‘faerieland’ of which I’ve read. But it’s not all blackness, either. There is love and hope and faith amidst the suffering and death. Mr. Durbin does a very good job of bringing the story to life, weaving together the plot and the characters. Nothing is wasted — details that I just thought of as embellishment suddenly turn out to be important to the plot. One of the folks who reviewed Dragonfly at Amazon.com said that the book reminded him of Ray Bradbury. Me, I was reminded of C.S. Lewis, partly because of the basic premise, partly because of the underlying Christianity of the heroes. . . . But despite Mr. Lewis’ skill in portraying good and evil characters, his fiction comes across as a weekend gardener — a tad dirty, but still very prim and proper. Dragonfly, to continue the metaphor, is more like a real farmer, for whom sweat and dust are a part of daily life. I really enjoyed reading this and I’m going to put it on my shelf so I can read it again. I suspect it will only get better the second time around.”

On January 1st of 2009, “Jaymi” said: “I remember picking this book up on a lark. It was the name and the cover that caught my eye. We were just about to leave the store when I saw it and knew I had to have it. I’m glad I got it. Imagine Neil Gaiman meets H.P. Lovecraft and this is one possible reality. Dragonfly is the story of a 10-year-old girl who foolishly adventures down into a horrible realm (much like Lovecraft’s Dreamlands). Dragonfly follows a strange ‘exterminator’ down into her basement. . . .”

This is probably my favorite: on April 25, 2009, “Crystal” wrote: “I find it hard to believe this book is not more popular. Far from being overwritten or too descriptive, the narrative is perfect. Death is not off limits, nor does the author try to dumb the story down. So far, it’s as d**n near to perfect as I have come across.”

Finally, on September 10, 2008, “Todd” said: “It is very dark and complex. . . . I really enjoyed the writing style. It is imaginary and literary, with lots of allusions to mythology, great books, and the Scriptures. But they are very very subtle. This is no Left Behind kind of cheap Christian novel. The author, a Lutheran, does a wondrous job of weaving elements of the Christian faith in . . . . I hope he writes more soon.”

There’s also a review in a language I can’t read and my computer can’t reproduce, so I won’t quote that one.

Groink! On to THE LISTS!

I’m going to give you three separate lists here (you’ll see why as we go along). Obviously, I’m not making any attempt to identify the greatest works of literature in the history of humankind. For that, I commend to you The New Lifetime Reading Plan, by Clifton Fadiman and John S. Major, though the authors aren’t as focused on fantasy and horror as most of us are. (The weirdos.) Heh, heh. What I’m going to list here are the books that, for whatever reasons, have meant the most to me, have influenced me the most, and/or that people who know me well have recommended to me. In general, the books appear in no particular order: if they make the list, they make the list. Without further adieu, then (lest the referee declare us Off the Subject, and we all have to fork over a nickel or a dime):

List #1: My Treasured Books (The Small Shelf):

1. The Lord of the Rings, by J.R.R. Tolkien

2. Watership Down, by Richard Adams

3. The Hobbit, by J.R.R. Tolkien

4. Lud-in-the-Mist, by Hope Mirrlees

5. To Kill a Mockingbird, by Harper Lee

6. My Father’s Dragon, by Ruth Stiles Gannett (This is a children’s book, but its influence on me is immeasurable: it’s the very essence of mystery and exploration, penetrating the unknown, adventure in exotic places, friendship, and doing things for the right reasons. The illustrations and those wonderful maps are at least half of the enchantment.)

7. Collectively, the fiction of H.P. Lovecraft. Where to begin? Among my favorites are The Dunwich Horror, A Shadow Over Innsmouth, At the Mountains of Madness, and “The Dreams in the Witch-House.” My absolute #1 favorite of his short stories is “The Shunned House.” And finally, his story that I believe supersedes genre and belongs in every college freshman English lit survey course textbook, right alongside “A Rose for Emily” et al., is “The Strange High House in the Mist.” I’m telling you, Lovecraft. . . . I grew up reading him, because the covers intrigued me in our family’s bookstore. As a kid, as a grownup, I read him perennially, and he’s one of the few authors whose stuff I’ve read most of. Even now, when spring comes around and the weather warms up, I itch to dig out a volume of Lovecraft, go outdoors, and read until the sun sets. Lovecraft in the dusk is the ultimate reading experience! If you don’t own any Lovecraft books yet and are wondering what to buy, I’d point you toward the annotated Lovecraft editions edited by S.T. Joshi, who is probably the world’s leading Lovecraft scholar. [I’ve personally met him — he shook my hand at the World Fantasy Convention in Saratoga Springs, and he gave Dragonfly a wonderful review in Weird Tales!]

Peter S. Beagle, signing books at the World Fantasy Convention in Texas, 2006.

Peter S. Beagle, signing books at the World Fantasy Convention in Texas, 2006.

8. The Last Unicorn, by Peter S. Beagle

9. The Book of Wonder, by Lord Dunsany (To protect the very guilty, I won’t tell you how I acquired my copy of this. But it’s worth acquiring, even if you have to venture into a Peruvian temple and outrun a gigantic rolling stone sphere and a tribe of angry Hovitos.)

10. Bertram’s Fabulous Animals, by Paul T. Gilbert (This is another children’s book, but it gave me endless hours of entertainment as a kid. In a nutshell, the protag, Bertram, is a kid who keeps finding out about various fantastic creatures, and he always wants to get one as a pet. His mama always kind of misunderstands what he’s talking about and says okay. He gets one, and pandemonium ensues. Finally, Bertram’s daddy comes home (he’s always in Omaha on business) and straightens things out and sends the destructive and/or selfish fantastic creature packing. It’s that delicious combination of funny and fascinating and terrifying that makes for the very best of children’s books. I remember almost having nightmares about one of the creatures . . . and laughing really hard many a time.)

11. Enchanted Night, by Steven Millhauser (This is my most recent discovery on this list. But it belongs here. I found the book in Tokyo, because of its beautiful cover. Now I read it almost every summer. But I implore you: read it only at night, during the very hottest season you can manage in your part of the world. It’s pure magic. The whole book [which is quite thin, an easy read] takes place during a single summer night; it follows the nightly adventures of a group of people linked by the fact that they are all residents of the same New England town. Wow, just thinking about it makes me want to take it down off my shelf right now. . . .)

12. The Thorn Birds, by Colleen McCullough

13. Jaws, by Peter Benchley (Go ahead and laugh, but everything I’ve written has been colored in some way by Jaws. I’ll never forget the happy hours spent on my Aunt Emmy’s back stairway, just off her kitchen, reading Jaws. Yes, this is a rare case in which the movie is better. But the movie wouldn’t exist without the book. The book was first.)

14. Beowulf, by the Beowulf poet

15. Andersen’s Fairy Tales, by Hans Christian Andersen (My mom would read these to me whenever I was really sick, so I will forever associate them with fevers and vomiting and delirium — but also with tenderness and love and the comforting presence of a mom . . . and release from all responsibility, because you’re sicker than a dog . . . and the hope of recovery, and the delight of water or ice cubes to a dehydrated mouth . . . and fantasy, and dreams. . . .)

16. October Dreams, edited by Richard Chizmar and Robert Morrish (This is a hefty collection of stories about Hallowe’en by many different writers, some famous, some you’ve never heard of. And what may be even better than the fiction is that between the stories are short recollections by the writers of their favorite Hallowe’en memories. I get this book out every October and read around in it.)

List #2: Honorable Mentions:

1. Something Wicked This Way Comes, by Ray Bradbury (His best book — and the single greatest influence on Dragonfly — there’s even a balloon.)

2. The Book of the Dun Cow, by Walter Wangerin, Jr. (I’ve met him and heard him preach at the church he once served [he’s a Lutheran pastor] in Evansville, Indiana.)

3. Charlotte’s Web, by E.B. White (I remember crying in Miss Logan’s first grade classroom as I finished this book. It’s the book that taught me that stories that make you hurt can be among the most effective — and that really good endings are what you should aim for as a writer.)

4. The Charwoman’s Shadow, by Lord Dunsany (My Cricket story “Ren and the Shadow Imps” is a tribute to this one.)

5. The Knife-Thrower and Other Stories, by Steven Millhauser (Wonderful, wonderful stuff — Millhauser finds the details that recapture all our childhood longings — longings, perhaps, as C.S. Lewis said, for things that do not even exist in this temporal life.)

6. It, by Stephen King (In my opinion, this is Stephen King’s best work: it doesn’t get any better than this. I read most of this book in the summer just before I left for Japan, and finished it up in Tokyo.)

7. ‘Salem’s Lot, by Stephen King (His second-best book. Vampires!)

8. The Harry Potter books, by J.K. Rowling (Ever heard of them? They’re kind of obscure, but you can probably find some somewhere. . . .)

9. I Heard the Owl Call My Name, by Margaret Craven

10. Annapurna, by Maurice Herzog (This book inspired my next-door neighbor and me to climb everything in sight: the barn, trees, buildings. . . . And to take grainy photos of ourselves at the summit.)

11. The Book of Lies, by Agota Kristof (Search for her name, not for this title: I don’t think the three short novels that make it up were released under this title in the States. This book is not for everyone — it’s very disturbing in places. But for virtuosity of technique and construction, it’s brilliant!)

12. Zothique, by Clark Ashton Smith (Happy memories of dusty crypts and sere mummies that creak as they walk. . . . I saw a new release on Amazon of some of Smith’s stories.)

13. The Lost World, by Arthur Conan Doyle (A South American plateau on which dinosaurs still live . . . for a pre-teen boy, Heaven.)

14. The Land That Time Forgot and its two sequels, The People That Time Forgot and Out of Time’s Abyss, by Edgar Rice Burroughs (Fun, fun, fun, fun!)

15. The Man-Eaters of Kumaon, by Jim Corbett (He was a big-game hunter hired by the local governments of India’s Kumaon district whenever they had a problem with a big cat that turned maneater. It’s a factual account of his showdowns with various tigers and leopards. Not a “chick flick” at all, but I’ll bet some of you chicks would like it. . . .)

16. The Canterbury Tales, by Geoffrey Chaucer (Never would have read this if I hadn’t gone to college. Glad I did.)

17. A Midsummer Night’s Dream, by William Shakespeare (I saw this performed, too, outdoors on a summer night. Just as much fun as the play was seeing the cast milling about under the trees before and after the show — all these people dressed as fairies in the light of the moon, taking part in this magical experience that is a theater production, which happens briefly in life and then is gone forever, but never forgotten. . . .)

18. The Mothman Prophecies, by John Keel (If you’re going to read just one book on Fortean subjects/the paranormal, this should be the one.)

19. Shiokari Pass, by Ayako Miura (A story of what it means to be a Christian in Japan. I’ve been there — I’ve stood in the actual Shiokari Pass on Japan’s north island of Hokkaido. If you’ve seen the movie — I was there!)

20. Run, Melos! by Osamu Dazai (A collection of short stories by one of Japan’s darkest writers — when I was a young, tormented twentysomething, I loved it — “He understands!“)

21. Journey to the Center of the Earth, by Jules Verne (Um, yeah. Doesn’t take much to see the influence this has had on me.)

22. Kwaidan, by Lafcadio Hearn (The title means Weird Tales. Hearn was a westerner who moved to Japan and spent the end of his life there, documenting the ancient, strange folklore of Japan for English readers. In your readings of ghost stories from around the world, if there’s ever a Japanese ghost story, I guarantee you that it came to you via Lafcadio Hearn. This book’s shadow falls large across Dragonfly.)

23. The short stories of Algernon Blackwood and Ambrose Bierce (Particularly “The Willows” and “The Wendigo” by Blackwood and “The Damned Thing” by Bierce. I have delightful memories of reading these in the pine grove in my first years in Niigata.)

24. In Evil Hour, by Gabriel Garcia Marquez

And finally:

List #3: Books Recommended to Me by Those Who Know Me and Whom I Greatly Respect:

1. Fried Green Tomatoes at the Whistle Stop Cafe, by Fannie Flagg

2. Neverwhere, by Neil Gaiman

3. Zod Wallop, by William Browning Spencer

4. Stardust, by Neil Gaiman

5. The Hunchback of Notre Dame, by Victor Hugo

6. The House on the Borderland, by William Hope Hodgson

7. The Ear, the Eye, and the Arm, by Nancy Farmer

8. Life of Pi, by Yann Martel

9. Montmorency, by Eleanor Updale

10. Inkheart and Inkspell, by Cornelia Funke

11. Cloud Atlas,  by David Mitchell

12. A Canticle for Leibowitz, by Walter Miller

13. We Have Always Lived in the Castle, by Shirley Jackson

14. The Bridge of San Luis Rey, by Thornton Wilder

15. The Power and the Glory, by Graham Greene

16. Love in the Time of Cholera, by Gabriel Garcia Marquez

17. The Wind in the Willows, by Kenneth Graham

18. Howl’s Moving Castle, by Diana Wynne Jones

19. Roverandom, by J.R.R. Tolkien

20. Kidnapped, by Robert Louis Stevenson

21. Stravaganza: City of Masks, City of Flowers, City of Stars, City of Secrets (4 books), by Mary Hoffman

22. Surprised by Joy and Till We Have Faces,  by C.S. Lewis

23. Phantastes, by George Macdonald

24. “The Golden Key,” The Light Princess, and The Princess and the Goblin, by George Macdonald

25. Blood Meridian, by Cormac McCarthy

26. House of Leaves, by Mark Danielewski

27. “The Door in the Wall,” by H.G. Wells

28. The Garden of Forking Paths, by Jorge Luis Borges

29. The Great God Pan, by Arthur Machen

30. The Haunting of Hill House, by Shirley Jackson

31. “The Mezzotint,” by M.R. James (Actually, I think I may have read this one: was it reprinted in Mooreeffoc?)

32. Fingerprints of the Gods, by Graham Hancock

33. “The Lonesome Place,” by August Derleth

34. The Shadow Year, by Jeffrey Ford

35. No Clock in the Forest, by Paul Willis

36. Cold Comfort Farm, by Stella Gibbons

37. Song of Albion, by Steven Lawhead

38. Rebecca, by Daphne du Maurier

39. Unlundun, by China Mieville

40. The Name of the Wind, by Patrick Rothfuss

Think that’ll keep you busy for awhile? Happy reading!

Books

So, how is it that we’ve come along for more than a year without a posting dedicated entirely to books — especially since books are so central to the writing and reading life? Probably because it’s such a big topic. Well, now is the time to open that mighty can o’ worms, because it’s reading season!

"So many books, so little time."

"So many books, so little time."

In Japan, people say fall is the season for reading books. I’d guess most of us gathered here around this blog feel that books are always in season. For me, there’s no season like spring/early summer for making me want to immerse myself in a book. The love is there year-’round, but there’s something about the first arrival of warmer seasons — a time of so much promise and possibility — that makes it all the more urgent. Again, it’s all about doorways into summer — into the time of velvet nights and blazing sun, lost paths and silhouettes and icy blue shade.

I’ve always been extremely unusual as a reader/writer, because I’m such a walking contradiction. I absolutely love books — no one would deny that; but I’m also a glacially slow reader. Everyone else I know who loves books as much as I do tends to chain-read them: to devour book after book after book. I’m notorious for inching along. (A friend recently asked me with a cheerful smile, “So, what book are you going to read this year?”)

These two huge plastic drawers are also full of books waiting to be read. But the real book-trove, because of the "slings and arrows of outrageous fortune," is now back in Illinois: I have an entire room there stuffed with books. Oh, to have them all beneath one roof someday!

These two huge plastic drawers are also full of books waiting to be read. But the real book-trove, because of the "slings and arrows of outrageous fortune," is now back in Illinois: I have an entire room there stuffed with books. Oh, to have them all beneath one roof someday!

I think it has to do with how much I love books as objects. I love the idea of books. I feel better just knowing that books are around. I love the heft and feel of them, the covers and the pages, the paper quality, the way the words look on the page, those amazing things like tables of contents and forewords and dedications and title pages. . . .

When my cousin and I were little, we’d often read books together (different books, same room). It was like John Henry racing the steam drill. I’d be relishing a certain page, and he’d be zooming along, the bulk of the book steadily vanishing from his right hand and accumulating in his left. I’d enviously ask him how he did that. As he explained it, he’d sort of take in whole paragraphs at once instead of individual words. And he thought it was funny how I’d periodically declare “Cover-Staring Time” (that’s what I called it), when I’d close my book and admire the cover for awhile. [I guess that might have answered my own question: to get through the book, you have to be looking at what’s inside. . . .]

But it’s always felt so wrong to me to race through a book! There are all those beautiful words, with their sounds and nuances, and they’ve been arranged precisely as they are for a purpose. It’s always seemed crucially important to me to appreciate that purpose, to absorb everything from the text that the writer intended, and perhaps more.

My essential reference shelf: dictionaries (Oxford and Webster's), The Chicago Manual of Style, and Zimmerman's Dictionary of Classical Mythology.

My essential reference shelf: dictionaries (Oxford and Webster's), The Chicago Manual of Style, and Zimmerman's Dictionary of Classical Mythology.

Yes, two or three times over the years I’ve tried to teach myself speed-reading. I’ve read books on the subject (not just stared at their covers!), practiced the techniques and all. But when I’ve tried to apply that to a real book, I’ve inevitably slowed back down.

I’m not criticizing you, all you who read like the wind, like Hermes on roller skates. I know the beauty of what you do is that you can come back again and again to revisit the books you love. You can pass this way more than once! I do envy you . . . I want to be just like you when I grow up. I’m serious. That same friend who asked me about what book I’m going to read this year also advised me of one key to getting things read: “You have to make it a priority.” That’s true. I don’t have any fewer hours in the day than anyone else. I just don’t use enough of mine for reading. Maybe this will be the year that I can make a change!

On the other extreme, though, to give this discussion some balance: one of my high-school friends used to race through books, all the big fantasy series that abounded in that decade. We’d ask him what he thought of this one or that one, and he’d say, “Oh, I don’t know. I read it, but I didn’t pay attention to it.” So . . . maybe it’s better to just read one book a year, if you’re paying close attention to it. What do you think? You be the judge.

A famous writer whose identity escapes me now, in advising other writers, said, “Don’t read a hundred books. Instead, read your ten favorite books ten times each, really paying attention.” I think there’s a lot of wisdom in that. “The mill-wheels of God’s justice turn slowly, but they grind exceeding fine.” I suppose I do that with books: I grind them exceeding fine.

Grrroinnk!

Knickknacks.

Knickknacks.

Room-Staring Time! This picture shows some knickknacks on my shelf. There’s Gandalf, of course, who needs no introduction. The cross was made from wood from the maple trees at the northeast corner of our yard in Illinois, under which I sat to write the poem “Glory Day,” which I still think is my best poem. The cross is standing in a spool from my mom’s sewing basket, and the base it stands on is a piece of plank from the barn I played in as a kid. There’s a thoughtful little gargoyle, a bean-bag cat, a terra-cotta warrior and his terra-cotta horse (bought at an exhibit I saw of the real things here in Niigata). There’s a box with a dragon on the lid. And see the little goat-man? That came as a premium, attached to a plastic jug of Diet Pepsi or Coke. It’s the “Goat Man,” part of a series of plastic replicas of paranormal beings. But for me, that figure became the character Gadmus in my NaNoWriMo novel Corin Booknose. Okay–ungroink–back to our regularly-scheduled discussion:

100_0352A week or two ago, a faithful reader requested reading lists. It’s a bottomless well, an insurmountable task, but let’s go there. We have to understand from the outset that there’s no way we’ll get everything essential onto the lists. But I think we can make helpful lists of some of the very best books out there. I think I’ve talked enough for this time around: I’m going to save my own picks for next time. But feel free to start jumping in: give us a list of any reasonable length — 3, 5, a dozen, 20 books — the books that belong on the small shelf; the best books you’ve discovered in your lifetime, be it short or long. Yes, this blog lies in the native country of fantasy, but you’re not required to limit yourself to that genre. You don’t have to worry about ranking them in order (unless you want to), and I think we all agree that The Lord of the Rings and Watership Down are there already.

Have at it! What book covers should I be staring at?

Spring-Boards

The time of the lilacs is here.

The time of the lilacs is here.

Yes, the title of this post is supposed to be loaded with meaning — spring-loaded with meaning, if you will: because this post is about spring, and it’s about first lines of stories — which are the spring-boards into the tales.

Before I get into all that and before I forget, just last night I re-watched the movie Hero, starring Jet Li. This is one of those movies that I think highly enough of to endorse here, and it’s one I like enough to own. That’s my highest recommendation. It’s a movie I wanted on my shelf, so that I can periodically re-watch it. Don’t let the casting mislead you: this is no mere martial arts escapism flick. It’s a beautiful and mythic work of art from beginning to end, like a painting that moves. The musical score is haunting, and the film’s theme is epic and of consequence; it’s one of those stories that makes you reflect on how you want to live your life.

Just before rice-planting: sluice-ditches gurgle, the fields are flooded, and frogs begin to sing.

Just before rice-planting: sluice-ditches gurgle, the fields are flooded, and frogs begin to sing.

 It’s not a very long film, and it’s not hard to watch. If you feel like a foray into Chinese history and thought — and into an exploration of patriotism, loyalty, love, and the question of what defines a hero, check this one out.

A couple notes: the Emperor in this film, the King of Qin, is that same real-life historical Emperor who had all the Terra-Cotta Warriors made to be buried with him in his tomb.

In one single day and night -- with the flooding of the paddies -- the frogs appear: they gather like black cats to October, and our nights are full of frog music.

In one single day and night -- with the flooding of the paddies -- the frogs appear: they gather like black cats to October, and our nights are full of frog music.

Also, pay attention to the opening quotation on the screen. Also, the English translation of the character’s name “Broken Sword” is a bit misleading. His name is made of the kanji for “break” and the one for “sword” — so “Broken Sword” is one rendering, but it can also be understood as “Breaks the Sword” or some such. The idea is that he’s a man who has come to, as the film asserts, the warrior’s ultimate epiphany: that Peace is the best way. So this character has “surpassed” or “overcome” the sword. He has broken the sword and put it away.

Anyway, Hero, presented by Quentin Tarantino, starring Jet Li, Tony

Tulips, ready for May.

Tulips, ready for May.

Leung, Maggie Cheung, Zhang Ziyi, Chen Dao Ming, and Donnie Yen is an artful masterpiece. Two thumbs up.

Oh! — This is sort of explained in the movie, but when the candle flames whoosh and waver between Nameless and the Emperor, that indicates the waves of fury and hatred that are rushing out of Nameless toward his enemy.

Well, now, on to our main topic!

"I am looking at lilacs, and I see / Shapes of dreams in a ghost-light sea...."

"I am looking at lilacs, and I see / Shapes of dreams in a ghost-light sea...."

Spring is always the season when I yearn to do more reading and more writing. It’s a time of burgeoning creativity, with blazing summer just appearing in the distance, trundling down the road under a golden haze. So I thought it would be fun to roust out all the first sentences from my stories and line them up here for our mutual entertainment and especially inspiration.

"Secret sunlight and shadows near, / Unfolding, untold in the new of the year."

"Secret sunlight and shadows near, / Unfolding, untold in the new of the year."

Look at all these spring-boards into stories! Stories all begin (for readers) with a little string of words that gives us our first glimpse of the things to come. Here are mine, from nearly every one of my stories that I could remember, with a very few exceptions. They’re (almost) all here, published and unpublished.

If any of these stories catches your interest, remember that you can

 always go over to my website (http://www.fredericsdurbin.com) and see the specifics: when and where it was published, and if you click on the story title there, you can even read a little thumbnail blurb about it.

"Unwritten tales in their hollows, and me / Traveling fernwise the whispering hedge, / Finding dream paths at the shadow's edge."

"Unwritten tales in their hollows, and me / Traveling fernwise the whispering hedge, / Finding dream paths at the shadow's edge."

If a story isn’t there, that usually (but not always) means it’s not published yet. If you have any trouble, questions, etc., please feel most free to write to me personally, and we’ll talk it over. In some cases I may be able to provide you with the story or direct you to where you can find it.

Ready? Here we gooooo!

Dragonfly:

Bad things were starting to happen again in Uncle Henry’s basement.

“The Fool Who Fished for a King”:

Alaric, the fisherman’s nephew, was a fool.

 

 

 

 

"I am looking at lilacs, and I see / All things wild, forever, free...."

"I am looking at lilacs, and I see / All things wild, forever, free...."

“Star”:

 

 

 

 

 

 

The old barn sang to Timothy.

“Ren and the Shadow Imps”:

Ren clutched his vest closed at the neck and shivered, although it was a summer night.

“Murik and the Magic Sack”:

Murik trudged deep into the forest, where roots twisted like slimy stairways.

“The Guardian Tree, Part 2”:

Far beyond the city, where birds still

 

"Seasons remembered, and Eternity...."

"Seasons remembered, and Eternity...."

 

sang ancient songs, the fey folk listened.

“The Gift”:

The winding stairway had never seemed so dark.

“The Place of Roots”:

Kirith had not been meant to ride the wind: I was sure of it.

 

 

 

 

"Where I have been, / And what I must be."

"Where I have been, / And what I must be."

“The Bone Man”:

 

 

 

 

 

 

It was hunger that made Conlin turn off the route.

“The Star Shard”:

Cymbril sang.

Corin Booknose:

Everything changed when the Wall of our world broke; the life we had known ended with the splitting of rock.

The Fires of the Deep:

Grape hyacinths!

Grape hyacinths!

Strange, Loft thought in the years afterward, that such a day could begin with the calm voice of water, a changeless voice on the day that everything changed.

A Green and Ancient Light:

As the American frontier moved westward, new homesteads blossomed in the clearings of the forests and among the prairie grasses.

100_0330“The Enchanted Mountain: A Tale of Long-Ago Japan”:

Another landslide had struck the village of Takakura.

“A Tale of Silences”:

Jii turned the carving in his weathered hands, pursing his lips to blow away a runnel of wood.

The Threshold of Twilight:100_0332

Trees outside the white frame house filled the kitchen with a lazy glow of sunlight and dancing green shadows.

“Shadowbender”:

Aunt Estelle wasn’t as bad as Shan had dreaded; it was her house that bothered him.

100_0333“Uther”:

Faint moonlight glowed in the room, though the curtains were drawn.

“The Giant”:

Wind shrieked over the bleak rise, driving snow that swirled and stung the men’s faces.

“Witherwings”:

The courthouse in Fillmore smelled old.

“Under the Tower of Valk”:100_0334

The garrison commander nudged the pale corpse with his steel-toed boot.

“Here About to Die”:

This is the day I am to die.

“The Bones of Oron-Dha”:

Red light flickers on the basalt blocks of the walls, the ceiling, and the floor of this temple of the dread god Arhazh.

 

 

 

 

"It'll be spring soon in the Shire, Mr. Frodo. They'll be plantin' the rice in the lower paddies! Do you remember rice, Mr. Frodo?"

"It'll be spring soon in the Shire, Mr. Frodo. They'll be plantin' the rice in the lower paddies! Do you remember rice, Mr. Frodo?"

“A Fire in Shandria”:

 

 

 

 

 

 

A grand and fearful thing it is to be summoned into the presence of Azanah the Queen: grand, for I am a mere sword-maiden of the Fifth Heilon, those who guard the city’s west wall, specifically the Gate of the Moon; fearful, for all know the Queen’s severity.

“The Last A’Hanti”:

Light.

 

"Um . . . no, Sam." Seriously, this is a rice-planting tractor. Little mechanical hands on the back stick each seedling down into the mud.

"Um . . . no, Sam." Seriously, this is a rice-planting tractor. Little mechanical hands on the back stick each seedling down into the mud.

“The Heir of Agondria”:

Fire sang as it surged through the wood-heap, the brilliant flames flowing, consuming, leaping high in the autumnal night air.

“Lucia’s Quest”:

‘We are here!’ called Iloni over the ringing of swords.

“Seawall”:

Drums pounded in the night, the drums of the horse-clans of Hemath.

Rice-planting in Niigata.

Rice-planting in Niigata.

Quite a whirlwind tour, huh? I hope it’s had the effect of making you want to run to your bookshelf and dive into a good story — or maybe write one — and to enjoy the gifts of this season, when the world is trembling with ancient enchantment and nascent abundance. Petals are opening out there, and tales are to be born! Nurture them! Live them! As Garrison Keillor says: “Don’t sleep. You can sleep in the winter.”

I’m going to steal shamelessly a great concept I heard from Tandemcat

Seedlings in trays on the back of a truck, brought from the greenhouse and ready to be loaded onto the planting tractor.

Seedlings in trays on the back of a truck, brought from the greenhouse and ready to be loaded onto the planting tractor.

just now: we may write with ink on paper, but we also write in people’s lives, through our interactions with them. I like to use this quote in my classes from Tennyson’s The Princess:

“Our echoes roll from soul to soul,

And grow for ever and for ever.”

A finished field: this field is planted.

A finished field: this field is planted.

I know this is anticlimactic, but an urgent message needs to be conveyed: I continue to hear from readers who have just recently discovered the “comments” aspect of this blog. If you don’t know about the fact that you can read other readers’ comments and leave your own (if you want to — no obligation!), then I’m happy to tell you that your enjoyment of this blog can easily double or triple! At the end of every posting or entry, you’ll

Sing, frogs! Grow, rice! (This is within a block of my apartment.)

Sing, frogs! Grow, rice! (This is within a block of my apartment.)

 find the word “comments.” Click on that, and you can read what others have said. Leave your own if you feel so inclined! (If you’re doing it for the first time, your comment comes to me for approval, so there may be a slight delay before it appears.) I tell you the truth: if you’re only reading my entries, you’re missing out! You’re only sailing on the ocean’s surface, and you have all the wonders of snorkeling and SCUBA diving ahead of you! Come join us on the seamy underside of the blog. . . .

Happy May Day!

The straw "casa" hats are still used in Japan, equally efficacious against sun and rain.

The straw "casa" hats are still used in Japan, equally efficacious against sun and rain.

Rice-planting, Golden Week 2009, less than a block from my place.

Rice-planting, Golden Week 2009, less than a block from my place.

Rice-planting tractor. Niigata is famous for its pure water, delicious rice, and delicious rice wine, or "sake."

Rice-planting tractor. Niigata is famous for its pure water, delicious rice, and delicious rice wine, or "sake."

A very cool vine-covered house in my neighborhood. In the fall, these leaves turn a brilliant red.

A very cool vine-covered house in my neighborhood. In the fall, these leaves turn a brilliant red.

Happy Birthday to Us!

Old Oak Road, where I grew up

Old Oak Road, where I grew up

Yes, we have reached the one-year mark: the first anniversary of the launching of this blog! It’s been a year of listening to Fred talk — heartfelt thanks to those of you who are still here!

I suppose this is a good time to look back, reflect, and ask for your help in shaping the things to come. What have been your favorite kinds and elements of postings? What have you tolerated — what have you actively disliked? I’d greatly value all opinions. The blog has thus far consisted of:

reflections on the writing life

games and discussion starters

photos

reminiscences

personal updates

What would you like to see more/less of? Are there suggestions for topics you’d like to see covered?

 

Ice Storm, 2006

Ice Storm, 2006

Today in Writing:

I’m writing again, which feels very good after an unproductive stretch. 926 words yesterday, 1,486 today — not quite up to NaNoWriMo speed yet, but getting there! I think this is going to be a novelette for a teen/adult audience: I thought it was going to be a new story targeted at Cricket, but the story keeps wanting more depth, length, and complexity.

Two friends and I named our road by: 1. thinking up the name, 2. circulating a petition, and 3. taking it to the city council.

Two friends and I named our road by: 1. thinking up the name, 2. circulating a petition, and 3. taking it to the city council.

Since we’re having a birthday party here, I’m going to dissolve into levity again, as we all don our conical party hats, throw confetti around, eat too much cake (Hey, look, you guys! — A blog-shaped cake!), and dodge one another’s party horns (what do you call those things that you blow into and they shoot out like frogs’ tongues?). Awhile back, someone forwarded me one of those cyber-amusements in which there were a bunch of clever answers to the question “Why did the chicken cross the road?” The answers, as I recall, were mostly political . . . such as “‘It was all about change.’ — President Obama” and “‘What do you mean by ‘cross’? What do you mean by ‘road’? — President Clinton.”

I started thinking of possible answers from more literary figures and even fictional characters, and what follows are — to the best of my knowledge — my original shenanigans. This is definitely a call for reader participation. Entertain us all with your own answers! But I warn you, it’s like eating potato chips: once you start, you’ll be coming up with these all day, so you’d better go get a little notepad right now and stick it into your pocket.

So: Why did the chicken cross the road?

“Because the road was there.” — Sir Edmund Hillary

“Because the road crossed him first. It wasn’t personal, it was business.” — Michael Corleone

“Let us first eliminate the reasons the chicken did not cross the road, and I believe our answer will present itself.” — Sherlock Holmes

“Don’t ask that question. You’re too close. I’m telling you, back off.” — The Smoking Man from The X Files

“Sorry, no spoilers. You’ll have to wait and see.” — J.K. Rowling

“Probably for the same reasons I do. Someday I will meet this chicken in the field.” — Alexander the Great

“Well, if the chicken wanted to, that’s . . . okay. If we start pointing fingers at the chicken, that’s three fingers pointing back at us, and a thumb pointing . . . up at God, I guess. Or something.” — Stuart Smalley

“Ambhthmgybm  anmh bhyxlhmnb! Heh, heh!” — David Bowie

“Why? Why?! Why . . . wouldachicken . . . crossaroad?! Spock — Bones — I want ANSWERS!” — Captain James T. Kirk

“That’s no chicken. If you’ll take a look through the glasses, you’ll see it is, in fact, a gray-throated warbler finch.” — John James Audubon

Okay, have fun! Thanks for coming. I’m going back for more cake. . . .

Sakura

Sakura is the Japanese word for “cherry” as in cherry blossoms, those

Cherry blossoms, 2009

Cherry blossoms, 2009

otherworldly white-pink flowering boughs that are one symbol of Japan — and a national craze at this time of year. I remember being bewildered by the profound mystery of cherry blossoms when I first saw them: how they can be both pink and white at the same time. You see a cherry tree from a distance, and it is a gentle pink haze. You approach it and examine the flowers at close range, and they’re as white as white can be. Then you back off, and sure enough, the tree is pink again.

I also wanted to point out the living presence of ancient folklore in

Kappa asking visitors to keep Toyano Lagoon free of trash

Kappa asking visitors to keep Toyano Lagoon free of trash

 modern times: one of these photos shows a sign asking people to help keep the area around Toyano Lagoon free of trash. The creatures making the plea are kappa, the water-goblins of many an old tale. Since the lagoon is their home, they have a vested interest in the neatness of tourists who come to see the cherry blossoms along the waterside.

Cherries at Toyano Lagoon

Cherries at Toyano Lagoon

This, by the way, is my favorite place in Niigata City for cherry viewing. The trees along the lagoon’s near side are quite old, their trunks gnarled and wizened with the elements and time’s passage. In another decade or two, these trees will no longer bloom so well, and the annual traffic of sakurophiles will shift to the lagoon’s far side and to other areas in the city with younger trees. And so the cycle goes on. . . .

Cherry blossoms at Toyano Lagoon

Cherry blossoms at Toyano Lagoon

The fascination with sakura in Japan includes the awareness of brevity. Full bloom lasts for a couple days — perhaps three, four at best, certainly less than a week. Then the long-anticipated petals fall in a pink rain, the new green leaves burst forth, and the blossoms are over for another year. I recall at least one old Japanese ghost story in which human youth is linked to the sakura tree. We humans, too, blossom and flourish for one white-pink moment in the sun, and then the wheel of time rolls on. (As some famous writer said: “You’re young for a moment, and then you’re old for a very long time.”) But the blossoming

Booth selling poppoyaki, a soft bread stick made with molasses/brown sugar

Booth selling poppoyaki, a soft bread stick made with molasses/brown sugar

— it’s all the more spectacular because it’s so brief. It is a Japanese ideal to savor every single instant, to perceive and experience the life in every breath.

Anyway (grroinnk!), “The Star Shard” is now complete in its Cricket run. Any day now, my corner of the Web site will be deactivated, and I’ll be passing the baton to the next featured writer. What a blessing it’s been to be a part of it all this past year! I hope I’ve savored every instant and experienced the life in every breath.

Toyano Lagoon

Toyano Lagoon

Another batch of hard-copy reader letters arrived from Cricket today; and the winners and honorable mentions are all up on the site now for the contest in February about writing a song that the Urrmsh might sing. I’m not ashamed to admit that reading through these entries brought tears to my eyes.

One young reader, Aashima, included sheet music with her song text! She composed a melody to go with the words! To read all the song lyrics, please visit Cricket‘s site at http://www.cricketmagkids.com. I can’t reprint the songs here, but I can say a heartfelt thank you to all these young readers/writers, who wrote beautiful song texts, most centered on the sadness but necessity of Cymbril’s leaving the Rake and saying goodbye to the Urrmsh:

Cherry blossoms

Cherry blossoms

Emily/Sparks, NV; Hope/Lake Oswego, OR; Sarah/Andover, MA; Jack/Great Meadows, NJ; Sasha/Berkeley, CA; Isabel/Brooklyn, NY; Kayla/Cape May Court House, NJ; Isabel/Houston, TX; Sumayyah/West Babylon, NY; Jessie/Brentwood Bay, B.C., Canada; Kendra/Seattle, WA; Frances/Salt Lake City, UT; Aashima/Dallas, TX; Sam/Dallas, TX; Emma/Omaha, NE; Madeline/Valencia, CA; Max/New Hampton, NH; Mia/New Hampton, NH; Peyton/Dallas, TX; Phoebe/Dallas, TX; and

Strings of lanterns through the trees for nightly illumination

Strings of lanterns through the trees for nightly illumination

Miranda/Skokie, IL. And thanks also to the magnificent fan artists: Anhtho/Seattle, WA; Dylann/Vista, CA; Aria/PA; Irisa/NY; Maya/NY; Andrew/NY; Aloise/Baltimore, MA; Eddie/Bandon, OR; Samantha/Northport, NY; Olivia/Belmont, MS; Laura/Anchorage, AK; Ethan/PA; Natalie/Wilton, CT; and Ivy/Costa Mesa, CA.

Soli Deo gloria! That the story has had this much life of its own beyond

the tabletop where I wrote it is a blessing beyond words, beyond imagining. If I were to die tomorrow, I would have no regrets as a writer — as a writer, I could have more success in volume and magnitude — but in kind, in experience, what more could one hope for? This is the best of all worlds, and I’m thankful to have seen it up this close.

Finally (groink! — that’s the sound of changing the subject with a

The Anastasia ("Resurrection"): tour boat on the Shinano River

The Anastasia ("Resurrection"): tour boat on the Shinano River

monkey wrench, for anyone who came in late), remember how a while back we were talking about misconceptions of words we had as kids? I remembered another one: for a time, I thought a “Valkyrie” was something we sang in church, related to the “Kyrie” in the liturgy. I thought a Valkyrie was higher or stronger than a simple Kyrie, just as an archangel is of higher rank than an angel. (Tom Cruise’s film Valkyrie is playing here now; that’s what reminded me.)

 

The "Big Swan" stadium, built for the World Cup soccer games

The "Big Swan" stadium, built for the World Cup soccer games

Finally, I had some breakthroughs in thinking today about a story that’s teetering on the edge between being targeted for middle-grade and for teenagers. I guess I’ll know better when I get into the writing. (I’m hoping to get a shorter piece written before some publisher bites on The Star Shard [Lord willing] and I have to do another overhaul of that manuscript.) But also the dreaded last big chunk of the Japanese grammar dictionary I’m helping to edit arrived today, so I can blame my ineptitude and procrastination on having this dictionary job. . . . It’s good to have your writerly excuses in order. Keep them polished.

Setback

There’s disappointing news about The Star Shard. At the very last stage before acceptance, it was rejected by the people who control the purse strings.

As many of you know, the book was under very serious consideration at a large, first-rate publishing house. I had heavily revised the book with the help of an editor there who believed in it enough to invest a significant amount of his time in pro bono work, making careful notes for me on changes he’d like to see. Last fall and winter, I did an overhaul of the story following his suggestions, and we all felt the book became much better.

Then my agent made a long list of detailed notes for recommended improvements, and I did yet another draft. With this invaluable help from two industry professionals, The Star Shard reached its best shape yet, and everyone was excited about it.

The editor at [Big Publisher] loved what I’d done with the project. He quickly gained the enthusiasm of the editorial director there. There was whole-hearted support from the editors. But then on Wednesday, the sales and marketing people overruled them.

I guess I’m not supposed to get into particular reasons in this public forum. In short, it’s a reflection of the corporate world and probably the economic times we live in. It’s just incredibly frustrating that the book got so far as completely winning over the editors, who ought to be the decision-makers.

I just want to commend the work of my agent and the selflessness of that stellar editor at [Big Publisher]: the latter gave of his time and expertise to make a book better, without compensation, and you see the “respect” these people get from their marketing departments. This is a guy who loves the stories and the storytellers, and does what he can to prosper them, beyond the bounds of salary and job description.

Anyway, Lord willing, this is just a temporary setback. We still have the same book to send around–the book that lots of good people have helped to make better, and the story that many Cricket readers have responded to with enthusiasm. My agent already knows where the book is going next.

It’s “about the tenth hour” (4:00 p.m.) on Good Friday as I’m writing this. In our journey toward Easter, the Lord has finished His work for us. Now come the closed book, the dark emptiness, and the tomb.

But Easter is ahead.

“When That April. . . .”

Here we are again in the month that, according to Chaucer, makes people want to go on pilgrimages! A friend over there in the States was just commenting today on how appropriate it is that, at this time of year when we finally begin to see and feel the sun again, when new life is bursting out all over, that we’re also in Holy Week. We’re about to celebrate again the Resurrection. In the words of the hymn:

“I know that my Redeemer lives.

What comfort this sweet sentence gives!”

Anyway, for me here, it’s been a week of getting organized for the new

My new file cabinet

My new file cabinet

 school year, which gets underway next week. I’d always wanted a file cabinet, and I finally found a store here that specializes in used office furniture. They had file cabinets in all shapes and sizes, and I finally decided on this one.

So I’ve just spent several days sorting things, labeling the hanging folders, and filling it up with stuff that used to be in cardboard boxes and drawers. It now holds:

1. All my important correspondence since 1997, in order and filed by year;

2. My writing projects and some works-in-progress of writer friends;

3. My teaching materials — years and years of handouts and ideas, gleaned from here and there or my own originals — all categorized for easy location now in folders with such labels as “reading homework,” “listening,” “pronunciation,” “grammar,” “games,” etc. This should make class preparation easier.

My apartment in Niigata

My apartment in Niigata

Oh — here’s also a picture of my apartment. That’s my place on the ground floor: my little verandah where I hang out my laundry — my office is right inside there — and my tatami-mat sleeping room on the left, behind the paper shouji window — the one that shows my silhouette to the neighborhood if I’m not careful. The building was sparsely-populated last year, but it’s completely filled up in the last couple weeks. This is the time of year when people move around, when the fiscal year begins.

What’s the universal writerly application of this posting? Am I skirting dangerously close to a “what-I-had-for-breakfast” posting here? Far be it from me! The universal application is: I commend to you spring organization, spring cleaning, and the opening of windows. It’s the time of year to sweep up the dust, clean off the tables, cast out the piles of paper you’ll never ever need again — and begin something new. Go on a pilgrimage! Tell tales with your fellow travelers, and be glad for their company.

Know that your Redeemer lives, and that He shall stand in the latter day upon the Earth; and that though worms destroy these bodies, yet in our flesh we shall see God!

Oh — semi-groink! — Issue #13 of Black Gate came in yesterday’s mail. And I see by the enclosed ad for what’s coming soon that my story “World’s End” is slated to appear sometime during the next four issues. That’s the first Agondria story — not the first one written, but the first in the intended order — and editor John O’Neill also bought my cousin Steve’s illustration for it. Don’t start holding your breath yet: we may be celebrating Easter two or three more times before the story finally appears, because BG comes out on an irregular schedule — Mr. O’Neill gives quality the priority over speed. When issues do come out, they are, for all practical purpose, high-quality books, like big, soft-cover trade paperbacks, slick and glossy and thick. But anyway, that story is coming eventually, and I was thrilled to see my name on a list of what people “won’t want to miss, so don’t let your subscription run out”!

As to the header of this blog: yes, I thought I’d put away the skeletons for awhile — how could I have skeletons up for Easter? — but they’re not gone, they’re just in the closet. What you see there are the first cherry blossoms of this year in Niigata, the photo just taken today. By the weekend, the city will probably be in full bloom!

May your projects and your work and your life bloom, too, to the glory of God!

Boats, Beasts, & Baubles in Books

A is for the Argo, the ship in Greek myth that carried Jason and his crew eastward to Colchis, to Aea, on their quest for the Golden Fleece. When I was a college student taking Greek and Roman mythology, our big course project was a “Herculean Labor” which we could design for ourselves — the professor would approve it as long as it was a way of delving deeply into the subject. I was fascinated by the voyage of the Argonauts, so I decided to study every account of their adventures I could find, and then to write (in the same poetic style and meter as the old mythmakers) a missing part of the tale — to fill in a gap left by all the earlier tale-tellers, if I could find one.

Sure enough, I discovered something intriguing: the accounts I read (most of which were based, I think, on the most thorough one by Apollonius of Rhodes) made mention of a people called the Chalybes — a dark, subterranean race who spent their days in caverns of fire and smoke, hammering and smelting. Apparently the Argo docked on their shores for a brief time, but nowhere could I find more detail than that.

Heh, heh — cavernophile that I am, that seemed the perfect point of entry for me. The challenge was more than just writing a harrowing episode for the brave Greeks. One thing the course had taught me was that the classical myths are all interconnected: a stone tossed into one sends ripples through many others. Certain overarching lines of story and theme emerge. Various defining events in the mythologic history are referenced by and shape the tales.

First, the voyage of the Argo seems to have taken place chronologically after the Calydonian Boar Hunt but before the Trojan War. I wanted that fact to be important in my part of the story. I had to be careful about which characters I used and how I used them. They all had to be present on the voyage; I obviously couldn’t use a character who had already died at that point; and I couldn’t kill off someone who appeared later. (And that was a challenge for me, because I knew I wanted to include a giant monster and lots of mayhem — of course. Why else write something, right?)

I had a whole lot of fun with the project, writing the story itself and a paper explaining what I’d done and the choices I’d made. One of my favorite aspects was that the Calydonian Boar’s severed tusk (carried as a trophy by Meleager) played an important role, and that the Argonauts recovered (rising from out of the blood-stained sea) a helm and armor that later passed into the possession of Achilles. This armor appeared in my tale out of bloody water, acquired through heroism and great violence, tragedy, and loss; it later figures largely in the actual myth of the Trojan War, since it’s the armor that Patroclus “borrows” when he’s masquerading as Achilles, which ultimately leads to much more wrath and tragedy.

Incidentally, I recycled and reworked this idea into a part of something I’ve been working on much more recently. So the morals there are to save everything you write and don’t be afraid to play with ideas — you never know when something will come in handy even years down the road.

The “net beneath the trapeze” was that, if I did make a mistake or introduce an inconsistency, that too would reflect the vast body of classical myth. Many of the myths do contradict one another and the chronology gets a bit muddled at times. (One oft-cited example is how Helen of Troy, if she were born when she was supposed to have been, would have been well into middle-age by the time the Trojan War even began. But then again, I noticed in re-reading Genesis lately that Abraham’s wife Sarah, even in extreme old age, was still in danger of being snatched up by kings who didn’t know she was a married woman; Abraham was still passing her off as his sister . . . . which goes to show, I guess, that a good woman is worth protecting and fighting over at any age . . . right?)

Anyway, here’s the next plea for reader contributions, if there are any takers: A is for Argo. Let’s try going through the alphabet again, and let’s do our best to go in order. For each letter, you can name (from some story you like) a vehicle (ship, spaceship, submarine, car, wagon, scooter, whatever) or an animal of some sort (preferably one that characters ride) . . . or (since we may get stuck) some object from a story, such as a character’s trademark prop, favorite thing, weapon, clue, book, etc. Think we can do this?

Have at it!

The Old Well

The following is an excerpt from A Green and Ancient Light, an unpublished collection of vignettes which I wrote in the summer of 1990. It has been slightly edited for readability.

The Old Well

Nothing can keep a secret like a well. Nor is anything or anyone half so skilled at dropping hints of the most sinister nature.

You stand in a closet, and everywhere you see light pouring in, seeping through the slatted door. But the old well lets in darkness. The well is a starless universe in the shape of a shaft. A peek inside it is a peek into the Coke-bottle eyes, the tin-can fangs of the Thing That Lives Down There. You see the concave wall of bricks from above. That Thing sees them from below.

He’d be delighted if you’d fall in. That’s what he’s waiting for. He’s sizing up your house, too, or at least the little bit of it he can see framed behind your tiny head when you move the stone. Maybe someday your house will fall in; it’s possible.

You and your best friend take a kind of morbid delight in watching that covering stone from day to day, because you know — you know — it moves periodically. It slides just the smallest fraction of an inch during the night, during the dew hours. When you find it, that cover is allowing just an insinuation in, just the merest shadowy film of darkness up along the corner of the stone. Just enough darkness for the slugs to see by as they slowly, methodically measure your house after moonset.

Where do slugs go in the daytime? Whom do they work for? You and your friend get three guesses.

You keep moving the stone back into place whenever you can; you always peek down there, and that Coke-bottle glitter never bats an eyelash. The Thing sees you whenever you come. He has nothing but time. He waits.

Boy, are you and your friend relieved when your dad decides to fill in the old well. You’re relieved, and a little sad. A ton of bricks, a half-ton of earth rains in and closes the door, closes the shiny glass eyes forever. The irrelevant capstone is the last to fall.

You walk back and forth over all that’s left of the Thing’s pit: a shallow depression in the grass, just at the corner of the confident new sidewalk. This hollow will never cave in, not ever, because it’s packed full and tramped down hard.

You’re old enough to help plant the flowers that grow over his grave.

Your legs are too long to let you hear his last whispering sigh.

 

Fun, huh? By the way, not long after I wrote this, I discovered an old Algernon Blackwood story called “The Other Wing,” which develops a similar theme — growing up, crossing the threshold out of childhood, and the bittersweet losses that brings. I highly recommend Blackwood’s story, along with Steven Millhauser’s “Flying Carpets” (same theme again), which can be found in The Knife-Thrower and Other Stories.

Here’s another invitation to unlock the treasure-vaults of your own tales and memories, dear readers! Share with us, if you will, your descriptions and recollections of those nooks and crannies in your childhood that didn’t feel quite right to you. Was it a closet? — a back stairway that always seemed a little too dark? — an attic, perhaps? — a lonely stretch of road? Was it a time of day? An abandoned house two streets over? We’ve still got more than half a year till Hallowe’en — let’s all do our part to tide one another over!